Wild Rhythm Keʻena Hōʻikeʻike na Chao Wen

ʻO Wild Rhythm Keʻena Hōʻikeʻike na Chao Wen he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KalaLoko Hale· 2020

Wild Rhythm Keʻena Hōʻikeʻike

na Chao Wen

Mea Kūʻai: Jade Simple Design

Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale

17,527

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #94921

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Wild Rhythm Keʻena Hōʻikeʻike

ʻO Wild Rhythm he keʻena hōʻikeʻike ma Chongqing, Kina. Uhi ka loko i 240 mika huinahā a hiki nō hoʻi ke lilo i hale kiʻi, i pā inu, a i wahi noho paha. ʻO ka sima, ke kila a me ka pena nā mea nui i hoʻohana ʻia, a hoʻohana ʻia nā ʻano kuʻuna maʻalahi ma nā wahi a pau. Ua hoʻohui ʻia kekahi papa lua ma nā wahi e ʻae ai ke kiʻekiʻe o ke kaupaku, a kūkulu ʻia kekahi alapiʻi wili a puni kekahi kolamu kūkulu i loaʻa mua. Ua kau ʻia kekahi lumi mālama ma luna o ka pā inu e hoʻonui ai i ka ʻāpana kūpono e hoʻohana ʻia. Hoʻihoʻi ka hoʻolālā i ka wahi i nā mea kūkulu kumu a hōʻemi i ka hoʻonani a me ka ʻōpala pono ʻole.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Wild Rhythm Keʻena Hōʻikeʻike i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Wild Rhythm Keʻena Hōʻikeʻike he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Wild Rhythm Keʻena Hōʻikeʻike e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
Nā Ana a me ka Hoʻopili: The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
Nā Lepili: Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
ʻEnehana Hana: Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
Pilikia Hoʻolālā: Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
Noiʻi: In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
Hoʻoulu Manaʻo: The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
Ka Lōʻihi o ka Papahana: The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
Kaʻina Hana: Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
Nā Palapala Kuleana: Copyrights belong to Chao Wen, 2019.
Nā Lālā Hui: Chao Wen
Nā Kuleana Kiʻi: Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.