Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō na Qinyin Tan

ʻO Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō na Qinyin Tan he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KalaLoko Hale· 2020

Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō

na Qinyin Tan

Mea Kūʻai: JianFeng Construction & Interior Decoration Group

Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale

17,323

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #96906

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō

He hoʻolālā kūloko no kekahi hale panakō ʻo Industrial Bank e uhi ana i 890 mika ʻahā ma Changchun. Ua huki ʻia ka manaʻo mai ke kiʻi pena ʻāina o ka moʻokūʻauhau Song, a ua hōʻike ʻia nā kuhikuhi kuʻuna Pākē ma o nā laina, nā kala, nā ʻano a me nā ʻiliʻili, ʻaʻole ma ka hoʻonaninani maoli. Hoʻokumu nā ʻano waena e like me ke keʻokeʻo mahina, ke keʻokeʻo kī a me ka hina laiki i kahi ʻano mālie, me nā hōʻailona o ka polū ʻeleʻele a me ka ʻōlena. Ua hana ʻia ka pākaukau mua ma o ka hoʻopili maʻalahi, a māhele nā mea niche i nā kolamu a me nā paia. Hoʻopalupalu ʻia kahi wahi kākau lima a me kī hapa-hāmama e ke kukui laina.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Industrial Bank Hoʻolālā Kūloko o ka Hale Panakō e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: In this case, the designer deliberately played down the impression of traditional cultural symbols and conveyed the historical and cultural connotation through lines, colors, forms and textures. The combination of traditional Chinese element symbols and highly modern materials, combined with modern furniture craftsmanship, makes the shape and quality of different times seamlessly integrated, which not only inherits the classical ancient style, but also carries forward the innovation of art.
Nā Ana a me ka Hoʻopili: The project covers a total of 890 square meters. The negotiation area organically combines the traditional and modern, simple and elegant aesthetic tastes to create a pleasant space atmosphere. The calligraphy and tea drinking area further soften the boundary of the edge by using smooth line lighting. Semi-open layout allows customers to enjoy the surrounding scenery while waiting.
Nā Lepili: Interior, Bank, Office, Oriental Elements, Natural, Elegant, Cultural
ʻEnehana Hana: The front desk abandons too many complicated decorations and creates a sense of end-view hierarchy with simple and intuitive splicing. The application of niche elements makes space division for some columns and walls. Under the conversion of light, it weakens the compression caused by stone materials, breaks the dull and serious atmosphere, and gives people a new and fresh experience.
Pilikia Hoʻolālā: The designer has made a new interpretation of the dignity and elegance of Chinese-style furniture, the calligraphy and painting tea room creates the oriental charm with the aesthetic needs of modern people, chooses the clear-cut and simplified wood lines to replace the complex carving patterns and ornaments, and combines the simple and comfortable cotton and linen, fashionable and personalized leather, elegant and gorgeous silk and other materials to improve the collocation of style.
Noiʻi: This case is located in Changchun City, Jilin Province, which is known as the "spring city of the northern kingdom", the mountain shadow here is muddy and heavy, and the pine and turbulent waves everywhere. You can hear pleasant sing from the birds. It has the quiet and gentle feeling of Chinese landscape painting. Through the level cooperation between regional forms, the modern Oriental aesthetic attitude is expressed in a progressive and backward way.
Hoʻoulu Manaʻo: With the concept of "the landscape painting of Xuanhe Palace in Song Dynasty", designer takes the landscape as the place of feeling and integrates it into the dominant atmosphere of modernism, applies more diversified design language to have a dialogue with the space, and then transforms the abstract artistic expression into the perceptible space image, striving to create the harmonious beauty of tradition and modernity.
Ka Lōʻihi o ka Papahana: The project started in December 2018 in Changchun and finished in April 2019 in Changchun.
Kaʻina Hana: The so-called "painting leaves three spaces, and the vitality follows". The appropriate blank space in the corridor area creates a comfortable space atmosphere, simple art ornaments and hanging paintings elaborate the meaning of luxury in a graceful way, so that the thin space is filled with rich rhythm and rhythm.
Nā Palapala Kuleana: Copyrights belong to Qinyin Tan, 2019.
Nā Lālā Hui: Qinyin Tan
Nā Kuleana Kiʻi: Image #1: Photographer Qinyin Tan, Negotiation Area, 2019.
Image #2: Photographer Qinyin Tan, Reception Hall, 2019.
Image #3: Photographer Qinyin Tan, Tea Room, 2019.
Image #4: Photographer Qinyin Tan, Bar, 2019.
Image #5: Photographer Qinyin Tan, Financial Room, 2019.