ʻO Crown of the Sea General Hana Nui: Hoʻokūkū Kiʻi Lehulehu na Yu Liang Chen he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.
KeleaweHana Noʻeau· 2020
Crown of the Sea General Hana Nui: Hoʻokūkū Kiʻi Lehulehu
Mea Kūʻai: NewLocal Art Studio
Mea Lanakila A' Design Award Keleawe ma ka Māhele Hana Noʻeau
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #97588Ka Hoʻolālā
E Pili Ana iā Crown of the Sea General Hana Nui: Hoʻokūkū Kiʻi Lehulehu
Kikokikona Puke: ʻO Kalaunu o ke Kai he hoʻokūkū kiʻi lehulehu i waiho ʻia ma Kouhu Township, Moku ʻo Yunlin, Taiwan. Ua ana ʻia ka hoʻokūkū he 10 mika ka lōʻihi, 3 mika ka laula a me 4 mika ke kiʻekiʻe. Hana ʻia ke ʻano ma ka lākiʻo kila kūpaʻa a me ka mortar sima, a uhi ʻia ka ʻili i nā tile hōʻalaʻala hulali, mau ʻāpana ipu lepo i hāʻule, ʻiliʻili a me ke aniani ʻakaʻaka. Hāʻawi nā noho i loko o ke kūkulu i ka malu a me kahi hoʻomaha, a kono nā ʻiliʻili keʻokeʻo a puni ke kumu i nā keiki e pāʻani ai. Ua hui pū ʻia nā kumu hoʻohālike mai nā moʻomeheu ʻōiwi, Han a me Kepani. Hoʻoulu ke kalaunu i ka mahalo no nā waiwai kai.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā Crown of the Sea General Hana Nui: Hoʻokūkū Kiʻi Lehulehu i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Crown of the Sea General Hana Nui: Hoʻokūkū Kiʻi Lehulehu he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Crown of the Sea General Hana Nui: Hoʻokūkū Kiʻi Lehulehu i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Located in Kouhu Township, Yunlin County, it not only takes on the elements from patterns of various ethnic groups, but is also equipped with practical functions, including benches for resting in the interior of the installation which provide sun-ray-shielding function, and white gravels paved around for children to play with which enhances the chances to interact with people and then to pay attention to issues of environmental protection and the ocean.
- Nā Ana a me ka Hoʻopili
- The installation measures 10 meters long, 3 meters wide, and 4 meters tall. We apply the common construction method of Taiwanese modern temple roof, which comes in dragons and phoenixes, and also take the features of materials into consideration. Besides, artisans who are expert on making the exterior of temples such as legendary figures, statue of deities, auspicious animals are invited to work together.
- Nā Lepili
- Installation art, Gazebo, Multi-cultural groups, Marine Resources, Environmental protection issue
- ʻEnehana Hana
- We took stainless steel bar and net as the frame, cement mortar as the molding material. The surfaces were applied with glossy glaze tiles, fragmented ceramics and close-lightly pebbles, and pottery plates as well as pot lids were embedded in as design to increase fun. Then mirror-pane glass formed the exterior, strengthening the perception toward the combination of tradition and modern.
- Pilikia Hoʻolālā
- Trying to combine modern art design and traditional craft, the design team especially invited molding masters and fragmented ceramic artisans constructing temples in southern Taiwan. Because of that, the design team spent a great amount of time communicating construction methods and related details, including design proportion, fragmented ceramic coloring, format, construction procedures, etc., which challenged the past designing and constructing experience of the designers and artisans.
- Noiʻi
- The figure was set in the elements from mythologies. The crown came from Giant Groupers, which is a part of Taiwanese aquaculture. Indigenous, Han, and Japanese signs are introduced. The theme color is shades of red, which is a symbol of luck and happiness in Taiwan; black, white, and golden frame reveals a sense of exquisiteness from Japanese culture; the Mountain Patterns, which belongs to indigenous tribes in Taiwan, taking blue, green, and orange to represent atmosphere, sea, and land.
- Hoʻoulu Manaʻo
- In order to remind people of the importance of respect while using marine resources, the idea of the Sea General came from the traditional folk religion, the Sea Goddess, Mazu. It symbolizes that to save the environment damaged by human beings, the Sea General sacrifice its own life and leave behind the crown to remind people of the meaning of cherishing the planet, correlating with the issue of marine resources preservation and climate change.
- Ka Lōʻihi o ka Papahana
- The project finished in November, 2019 in Yunlin County, Taiwan.
- Kaʻina Hana
- Crown of the Sea General looks like a character coming out from fantasy novels, deepens the visual perception to reach the goal of warning people that our future environment might face the fightback of nature. As for the colors, the design team chose to use prevailing decoration elements from traditional Taiwanese temples and deity statues and particularly commissioned professional Koji Pottery workmen to produce low temperature glaze kilning fragmented ceramic and tiles.
- Nā Lālā Hui
- Yu-Liang Chen
- Nā Kuleana Kiʻi
- Cheng-Mao Liu
Kākoʻo ʻIa
ʻImi ma ʻō aku o Designers.org
E ʻimi i nā huahana, nā lawelawe a me nā manawa mai kā mākou mau hoa hoʻolaha.
Hou Aku e ʻImi Ai
Nā Hoʻolālā Pili
E ʻimi i nā hoʻolālā lanakila hou mai ka māhele like, i koho ʻia ma ka waiwai.