Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni na Marcele Kuliesiute

ʻO Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni na Marcele Kuliesiute he mea lanakila hanohano loa o ka 2020 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.

GulaHana Noʻeau· 2020

Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni

na Marcele Kuliesiute

Mea Kūʻai: Vilnius Academy of Arts

Mea Lanakila A' Design Award Gula ma ka Māhele Hana Noʻeau

50,642

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #97996

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni

He hoʻonohonoho kiʻi noʻeau ʻoni ʻo Alive i hana ʻia no nā wahi kūloko ākea, nā keʻena hana a me nā wahi lehulehu ʻē aʻe. ʻO ka neʻe ʻana o ka wai, ke kumu o ke ola a pau, ka hoʻoulu nui. Hana ʻia ke kahua me ka MDF a paʻa ana i kahi mīkini liʻiliʻi hāmau. Hana ʻia ka uhi me ka neoprene me nā kikoʻī plexiglass he 2000 i hoʻopili ʻia. Hoʻomoe ka mīkini i ka lole a hoʻoneʻe i nā kikoʻī liʻiliʻi ma ka ʻaoʻao ʻākau o ka uaki ma nā pōʻai lohi, e hana ana i kahi pana mālie. Hahai ʻo Alive i nā loina biophilic, e hoʻopili ana i ka launa ʻana me ke ʻano kūlohelohe i ka maikaʻi o ke ola ma loko o nā hale. ʻO ke ana o ka hoʻonohonoho he 1200 ma ka 100 ma ka 1200 milimika.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Gula

Ua lanakila ka hoʻolālā Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā Alive Hoʻonohonoho Kiʻi Noʻeau ʻOni i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This dynamic object is based on biophilic design principles, inspired by water - the foundation and source of all life. Alive is designed for public interiors, offices or various public spaces. It is based on the research that rhythm or movement, perceived in nature, creates a strong impression and a positive impact on the human being. Alive provides the vitality of the environment and reminds us to nurture Mother Nature, our home.
Nā Ana a me ka Hoʻopili: Design object consist of MDF construction, motor and neoprene with 2000 plexiglass details attached. Dimensions: Width 1200mm x Depth 100mm x Height 1200mm
Nā Lepili: alive, design, object, biophilic, movement, nature
ʻEnehana Hana: There were two main tasks in design and production. First, how to create simple, inexpensive mechanics to make the object move the particles from inside. Second task - thinking of the whole covering part - elastic but strong textile with attached small details, expressing the best effect of movement while keeping all particles in place. The base structure is construction of MDF and small, but strong motor. The covering part is made using neoprene with specially designed 2000 plexiglass details.
Pilikia Hoʻolālā: A few design and technology challenges were met. One of the biggest task was defining the best solution for a theme, concept and what kind of nature aspect should be used for. Also, technology challenges followed. The big question - how to create a powerful, but silent and small technology that would make the installation spin at the right intensity, rhythm, speed. After numerous consultations, research and experiments, all the solutions were found and the installation works as imagined.
Noiʻi: At first, my main but abstract goal was creating a design that is alive. But I started thinking that it isn’t enough to present the idea and concept in a narrow, only idea driven design. So I started a research to find and justify my idea - it was biophilic design. After a long research and getting deeper into a matter, I found a lot of statistics, data and projects, that proves the need and benefits of biophilic design in our modern, urbanist environments. Mostly there are designs that are applicable for architecture, interior, landscape design, but there is so little product, furniture design on the matter. So, the process started by finding the main and most affecting aspects of nature that could be transformed into a object. After a long path of research, experiments and ideas, I stick to the idea of transforming a feeling of moving water into a design object.
Hoʻoulu Manaʻo: Biophilic design is based on the biophilia hypothesis. It is the innate tendency of a person to seek a connection with nature or just love for the living. With the rapid acceleration of urbanization, more and more biophilic design is used to create favorable living spaces in a modern environment, maintaining harmony between the person and nature. It has been proved that the application of biophilic design methods indoors, improves productivity, creativity and well-being.
Ka Lōʻihi o ka Papahana: The project started in February 2019 and finished in June 2019 in Vilnius Academy of Arts, Vilnius, Lithuania. It was exhibited in Titanikas gallery, in Vilnius June-July 2018.
Kaʻina Hana: This object is based on simple mechanics, using small, silent motor that stretches the fabric and moves little details as it goes. It goes clockwise, around in circles, creating soothing, calming effect.
Nā Kuleana Kiʻi: Video Credits: Lukas Keizikas