The Pitched Roof Tsev los ntawm Takaharu Tezuka and Yui Tezuka

Qhov qauv tsim The Pitched Roof Tsev los ntawm Takaharu Tezuka and Yui Tezuka yog tus yeej muaj nqis heev ntawm qhov khoom plig 2021 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Vaj Tsev, Tsev thiab Qauv Tsev.

NyiajVaj Tsev· 2021

The Pitched Roof Tsev

los ntawm Takaharu Tezuka and Yui Tezuka

Tus Neeg Siv: Tezuka Architects

Tus Yeej A' Design Award Nyiaj hauv Pawg Vaj Tsev

20,495

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #117210

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog The Pitched Roof Tsev

Lub Ru Tsev Slaub yog ib lub tsev muaj ib txheej rau hauv Karuizawa, Nyij Pooj, uas raug npog los ntawm ib lub ru tsev slaub yooj yim heev. Tsuas yog plaub caug feem pua ntawm qhov chaw hauv qab ru tsev thiaj raug kaw, yog li qhov ciam ntawm sab hauv thiab sab nrauv tseem mos mos. Lub ru tsev cantilever ncav mus ntev tshaj rau meter nrog ib qho qauv tsuas tuab 200 milimeter xwb. Ib lub npoo tsev L-tais, uas raug tais, ua haujlwm zoo li ib qho monocoque thiab txo cov ncej txheem uas xav tau. Cov qhov rooj xauj tso cai rau cov neeg nyob hloov tus cwj pwm ntawm qhov chaw nyob. Lub tsev txhais dua qhov txheej npoo ru tsev tob ntawm cov qauv tsev qub ntawm Nyij Pooj.

Qhov Lees Paub

Txog A' Design Award Nyiaj

The Pitched Roof Tsev yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. The Pitched Roof Tsev xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. The Pitched Roof Tsev yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Qhov Loj & Ntim: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Cov Ntsiab Lus: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Thev Naus Laus Zis Tsim Khoom: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Kev Sib Tw Tsim Qauv: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Kev Tshawb Fawb: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Kev Txhawb Siab: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Lub Sij Hawm Ua Hauj Lwm: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Txheej Txheem Ua Hauj Lwm: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Cov Tswv Cuab Pab: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Kev Qhuas Duab: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.