Qhov qauv tsim Maison Francois Dej Num Tseem Ceeb: Tsev Noj Mov los ntawm John Whelan - GSL yog tus yeej muaj nqis heev ntawm qhov khoom plig 2021 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Kev Txais Tos, Kev Lom Zem, Kev Mus Ncig thiab Kev Ncig Teb Chaws.
NyiajKev Txais Tos· 2021
Maison Francois Dej Num Tseem Ceeb: Tsev Noj Mov
los ntawm John Whelan - GSL
Tus Neeg Siv: The Guild of Saint Luke
Tus Yeej A' Design Award Nyiaj hauv Pawg Kev Txais Tos
Tus Yeej Khoom Plig Tau Txheeb Xyuas
Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #123843Qhov Tsim
Txog Maison Francois Dej Num Tseem Ceeb: Tsev Noj Mov
Maison Francois yog ib lub tsev noj mov loj 500 square metres, uas tsim rau hauv ib lub plhaub concrete liab qab. Lub qab nthab uas muaj coffered yog ua los ntawm cov khoom tiv suab nrov (phonic material) uas pleev xim faux cement kom haum nrog daim pem teb concrete ntxhee zoo. Cov rooj zaum khoov walnut nrog cov iav ntsug ntawm sab saud rau kev ceev ntiag tug yog npog nrog ntaub linen xim cream, thiab cov ntxaij vab tshaus ntaub linen xim cream uas ntev txij pem teb mus txog qab nthab ua rau cov terracotta stucco thiab cov iav khoov (mirror arches) zoo nkauj tuaj. Cov kev txaus tsev (joinery) yog ua los ntawm walnut thiab mahogany, nrog cov khoom hlau tooj liab patinated thiab niam kub (nickel). Lub central island pass ua tus qauv tseem ceeb ntawm chav thiab txuas lub chav ua noj rau qhov chaw noj mov.
Qhov Lees Paub
Txog A' Design Award Nyiaj
Maison Francois Dej Num Tseem Ceeb: Tsev Noj Mov yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Maison Francois Dej Num Tseem Ceeb: Tsev Noj Mov xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Maison Francois Dej Num Tseem Ceeb: Tsev Noj Mov yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.
Tom Qab Qhov Tsim
Pob Xov Xwm
Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.
- Yam Tshwj Xeeb
- Initially, the concrete shell was taken as the starting point, creating a Brutalist ceiling coffering and laying down a polished concrete floor. Once the framework was established, ensuing elements were designed to create that elusive warmth and intimacy. Curved walnut banquettes with privacy glass uppers are upholstered in a resistant cream linen that are tactile and inviting. They correspond with floor-to-ceiling cream linen curtains that offset the grandeur of the imposing terracotta stucco and mirror arches.
- Qhov Loj & Ntim
- 500 square metres floor space
- Cov Ntsiab Lus
- Restaurant, Brasserie, London
- Thev Naus Laus Zis Tsim Khoom
- The coffered ceiling was realised in phonic material and painted in faux-cement to match the polished concrete floor. Joinery is in walnut and mahogany, with patinated brass and nickel metalwork. Upholstery and drapery is in cream linen.
- Kev Sib Tw Tsim Qauv
- The main challenge was the space that was inherited from the landlord. A far cry from the warm and welcoming environment desired by the client, it was a cavernous concrete shell with no discernible features of interest. The façade offered little more by way of inspiration, being part of a somewhat generic new build. It was therefore necessary to think carefully about how the large volume could be animated, and how to create visibility from the street.
- Kev Tshawb Fawb
- Much of the research that went into this project had been conducted over several years, working on restoring and re-designing historic brasseries in France. Everything that was learned by the studio during this period was applied to the project, but this knowledge was infused with more contemporary reference points such as Postmodernism and Brutalism in order to evolve the genre.
- Kev Txhawb Siab
- Rather than taking the more tried and tested route of looking to the Art Deco period for inspiration, the design looked at successful residential conversions of Brutalist spaces, such as Ricardo Bofill’s, La Fabrica. What interested the team was how the designers managed to create a sense of intimacy and warmth despite their imposing concrete surrounds. The solution was to find the right dosage of these ideas, within a more traditional brasserie framework.
- Lub Sij Hawm Ua Hauj Lwm
- The project started in September 2019 and opened in September 2020
- Txheej Txheem Ua Hauj Lwm
- Bringing the kitchen into direct conversation with the room was key to creating a vibrant atmosphere, and so the central island pass became the focal point of the room. It sits underneath a monumental Rado inspired clock flanked by a lambs-tongue mahogany and bevelled mirror canopy that recalls the windows of the Ismaili Centre. Metals range from patinated nickel to burnished brass, all heavy on texture and designed to warm up the space.
- Cov Tswv Cuab Pab
- Designer: John Whelan for The Guild of Saint Luke
- Kev Qhuas Duab
- Photography by Oskar Proctor
Txhawb Nqa
Tshawb Nrhiav Tshaj Designers.org
Tshawb nrhiav cov khoom lag luam, kev pab cuam thiab lub cib fim los ntawm peb cov neeg koom tes tshaj tawm.
Tshawb Nrhiav Ntxiv
Cov Tsim Uas Sib Txheeb
Tshawb nrhiav ntxiv cov tsim uas tau txais khoom plig hauv tib pawg, xaiv raws li qhov zoo.
