White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob los ntawm Po Chuan Kao

Qhov qauv tsim White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob los ntawm Po Chuan Kao yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Tooj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

ToojSab Hauv· 2022

White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob

los ntawm Po Chuan Kao

Tus Neeg Siv: ACG Design International

Tus Yeej A' Design Award Tooj hauv Pawg Sab Hauv

11,709

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #127343

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob

White Forest yog ib qhov kev tsim qauv sab hauv tsev nyob rau lub tsev muaj ntau li 42 ping nyob Taichung. Daim qauv suav nrog qhov chaw nkag, chav ua noj, chav noj mov, chav nyob thiab chav nyeem ntawv, ntxiv rau chav pw loj thiab chav dej, thiab chav pw ob thiab chav dej ob. Cov phab ntsa uas tsis tsim nyog tau raug rho tawm los kho qhov tsim qauv qub uas nyaws thiab faib ua ntau ntu heev. Terrazzo xim dawb liab nyob qhov chaw nkag txuas chav ua noj thiab chav noj mov ua ke. Marble, iav dai, iav tais me me thiab ntoo khov uas muab xim rau ua kom nco txog cov pob zeb, dej txhawv thiab paj, thaum cov kab teeb aluminum muab qhov kaj mos thiab tsis ncaj qha.

Qhov Lees Paub

Txog A' Design Award Tooj

White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. White Forest Kev Tsim Qauv Sab Hauv Tsev Nyob ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Qhov Loj & Ntim: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Cov Ntsiab Lus: flowers blooming, relaxing, silence and pure, pink
Thev Naus Laus Zis Tsim Khoom: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Kev Sib Tw Tsim Qauv: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Kev Tshawb Fawb: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Kev Txhawb Siab: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Lub Sij Hawm Ua Hauj Lwm: The project finished in Jun 2021 in Taichung.
Txheej Txheem Ua Hauj Lwm: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Cov Tswv Cuab Pab: PO-CHUAN KAO
Kev Qhuas Duab: ACG Design International