Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws los ntawm Tingyu Hu

Qhov qauv tsim Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws los ntawm Tingyu Hu yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Hlau hauv Pawg Sib Tw Tsim Khaub Ncaws Zam, Ris Tsho thiab Tsoos Tsho.

HlauKhaub Ncaws Zam· 2022

Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws

los ntawm Tingyu Hu

Tus Yeej A' Design Award Hlau hauv Pawg Khaub Ncaws Zam

22,328

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #128106

Tshawb Nrhiav Tam Sim No Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws

Labyrinthine Journey of a Ballerina nthuav qhia kev sib xyaw ua ke ntawm qhov txawv txav thiab qhov khoob ntawm qhov chaw surrealism thiab kev noj qab haus huv ntawm ballerina, siv cov khaub ncaws ua qhov nruab nrab. Tus tsim qauv tsim cov khoom los ntawm kev siv cov pob txha los tsim kom muaj 3D illusion, thiab txheej txheej ntau pob tshab ntaub yog hais txog lub tswv yim ntawm qhov ntev. Cov khoom siv tes ua zoo li silkscreen thiab paj ntaub yog siv dav hauv qhov project no. Peb lub ntsiab lus rau qhov kev sau no yog illusion, qhov chaw thiab duab ntxoov ntxoo, thiab qhov sib txawv ntawm cov qauv thiab softness.

Qhov Lees Paub

Txog A' Design Award Hlau

Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws yog tus yeej ntawm A' Design Award Hlau, ib qho kev lees paub muaj meej mom uas muab rau cov qauv tsim zoo uas ua tau raws li cov kev xav tau ntawm kev ua haujlwm thiab kev lag luam uas xav tau los ntawm cov khoom tsim zoo. Cov neeg yeej Hlau qhia txog kev txawj loj, kev paub tshwj xeeb siab, kev nkag siab ntawm cov kws tshaj lij thiab lub peev xwm tsim ntawm cov neeg tsim. Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws xav tias yuav yog ib qho khoom tsim uas neeg hwm, qhuas thiab hlub uas siv tau thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Hlau no sib xyaw cov kev coj ua zoo tshaj plaws ntawm kev lag luam thiab muaj cov yam ntxwv siv tshuab txawj ntse txuas nrog kev paub thiab txuj ci. Labyrinthine Journey of a Ballerina Poj Niam Khaub Ncaws tau txais kev hwm vim nws tag nrho thiab tsim los muab kev txhim kho rau lub neej uas pab ua rau lub ntiaj teb zoo dua.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: What would it look like if clothes become the canvas or the carrier of a concept lingering in her mind? Absorbing the bizarreness and emptiness of space from surrealism art and the delicacy of the ballerina, Tingyu treated her garments as 'paintings' while combining the functionality of clothing. Layering and crafts like silkscreen and hand-embroidery are widely used in this project. Three points for this collection are 'illusion', 'space and shadow', and 'contrast between structure and softness'.
Qhov Loj & Ntim: 5 looks in US Size 4.
Cov Ntsiab Lus: surrealism, fashion, womenswear, wearable art, storytelling, pratt institute.
Thev Naus Laus Zis Tsim Khoom: Tingyu focuses on how dimensional a garment could be while keeping the balance of movement and abstraction. She uses boning to construct a 3D illusion and chooses transparent fabric to increase the layers of the garment so that emphasizes the concept of 'dimension', such as double knit layering, tulle over canvas, and beige lace over pink cotton sateen. About the techniques, crafts are always a major style so she corporates silkscreens and hand-embroidery to add some raw and playful feel to make the contrast with the strict color palette.
Kev Sib Tw Tsim Qauv: To avoid the literal interpretation or similar techniques of 1930s surrealism fashion, Tingyu edited down ideas that were too superficial or easy to look at and balanced the fine art side and the apparel side. This project requires a lot of draping of asymmetrical shapes and experiments of fabric to figure out the best choice for a certain silhouette.
Kev Tshawb Fawb: Standing in front of 'The Melancholy of Departure' by De Chirico at MOMA and wondering what does it look like when is a ballerina trying to escape from De Chirico's paintings? How is it possible to add multiple dimensions to garments, like the dream world in 'Blood of a Poet'? By analyzing the geometrical elements in De Chirico's paintings and reading his artist theory, with the whimsical feeling, the little sculpture on the arm, and the contrast between the softness of pale pink and lined silhouette, the narrative is presented through every detail.
Kev Txhawb Siab: Giorgio De Chirico, 'Blood of a Poet' and classical ballet are the three major inspirations. By observing works by De Chirico, Tingyu captures the contrast of brightness and shadow, enormous environment and tiny figures, and unlimited extension of the space even she becomes a part of the painting. 'Blood of a Poet' emphasizes the theme of 'labyrinthine'. The dreamlike quirkiness of the movie inspires her to replace the main character with a ballerina.
Everything in this project is the reflection of her vision.
Lub Sij Hawm Ua Hauj Lwm: The project finished in May 2019 and shoot in 2022.
Txheej Txheem Ua Hauj Lwm: Tingyu creates a womenswear fashion collection 'A Labyrinthine Journey of a Ballerina' to present the quirkiness and elegance, structure and softness by using textile with the contrast of canvas and tulle, and asymmetrical shape. Inspired by surrealism art and movies and ballet costume.
Cov Tswv Cuab Pab: Fashion Designer: Tingyu Hu
Kev Qhuas Duab: Photographer: Sha Luo
Designer & Styling: Tingyu Hu
Makeup: Shiyao Liu
Model: PJ
Assistants: Xiang Cheng, Gianna Chun
Special Thanks: 19