Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm los ntawm Koji Aoki, Lin Su and Atsushi Fujita

Qhov qauv tsim Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm los ntawm Koji Aoki, Lin Su and Atsushi Fujita yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Tooj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

ToojSab Hauv· 2022

Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm

los ntawm Koji Aoki, Lin Su and Atsushi Fujita

Tus Neeg Siv: Fujifilm Corporation

Tus Yeej A' Design Award Tooj hauv Pawg Sab Hauv

10,594

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #131321

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm

Clay Studio 2 yog ib qhov chaw ua hauj lwm sab hauv uas tsim los rau kev ua hauj lwm tsim khoom thiab tsim yeeb yaj kiab nyob hauv Tokyo. Qhov chaw uas muaj 300 metres square raug npaj los ua ib qhov chaw nyob ntsiag to rau kev tsom mus rau ib yam dab tsi, sib txawv nrog cov chaw ua hauj lwm uas feem ntau tsom rau kev sib txuas lus. Cov pobzeb concrete, xim pleev, thiab daim ntoo cement tsis raug kho dua, ua rau chav no zoo li tsuas yog muaj cov ncej thiab cov taig xwb. Kev tu vaj tu tsev thiab lub ntuj ib puag ncig ua lub background thiab coj cov kev hloov pauv raws lub caij nyoog los rau hauv qhov chaw. Cov rooj sau ntawv tig rau sab nraud, thiab ib lub rooj uas ntev xya metres pub kom muaj kev sib tham luv luv tau, tab sis tseem tswj kom muaj kev sib nrug ntawm cov neeg.

Qhov Lees Paub

Txog A' Design Award Tooj

Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Fujifilm Clay Studio2 Kev Tsim Qauv Sab Hauv Chaw Ua Hauj Lwm ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Qhov Loj & Ntim: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Cov Ntsiab Lus: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Thev Naus Laus Zis Tsim Khoom: concrete, painting, wood cement board
Kev Sib Tw Tsim Qauv: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Kev Tshawb Fawb: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Kev Txhawb Siab: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Lub Sij Hawm Ua Hauj Lwm: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Txheej Txheem Ua Hauj Lwm: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Cov Tswv Cuab Pab: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita