Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv los ntawm Sculpta

Qhov qauv tsim Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv los ntawm Sculpta yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Hlau hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

HlauSab Hauv· 2022

Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv

los ntawm Sculpta

Tus Neeg Siv: Sculpta

Tus Yeej A' Design Award Hlau hauv Pawg Sab Hauv

14,606

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #132842

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv

Mora35 yog ib qhov kev tsim qauv chaw nyob sab hauv rau ib lub chav so 52 metog square nyob hauv ib lub tsev uas tau tsim thaum xyoo 1955 hauv Bucharest, Romania. Lub tsev muaj ob chav pw no tseem khaws cia tus yam ntxwv ntawm thawj qhov chaw thaum ntxiv rau kev nyob tso siab niaj hnub no. Ntoo oak, tooj dawb (brass), thiab cov kev ua kom dawb paug yog qhov teeb liab ntawm daim ntsa nrhw. Ib daim brass plinth tsim ib txoj kab nkaum qhov chaw uas daim phab ntsa sib ntsib nrog daim pem teb, thiab cov brass bands ua qauv ib puag ncig cov qhov rooj. Cov twj siv oak yog tsim qauv rau txhua chav. Ib lub KNX system tswj cov teeb, cua sov, cua txias, thiab cov ntaub thaiv hnub raws li ib txoj kev deb. Kev ua kom pem teb sov tau ntxiv rau thaum tab tom kho dua tshiab.

Qhov Lees Paub

Txog A' Design Award Hlau

Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv yog tus yeej ntawm A' Design Award Hlau, ib qho kev lees paub muaj meej mom uas muab rau cov qauv tsim zoo uas ua tau raws li cov kev xav tau ntawm kev ua haujlwm thiab kev lag luam uas xav tau los ntawm cov khoom tsim zoo. Cov neeg yeej Hlau qhia txog kev txawj loj, kev paub tshwj xeeb siab, kev nkag siab ntawm cov kws tshaj lij thiab lub peev xwm tsim ntawm cov neeg tsim. Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv xav tias yuav yog ib qho khoom tsim uas neeg hwm, qhuas thiab hlub uas siv tau thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Hlau no sib xyaw cov kev coj ua zoo tshaj plaws ntawm kev lag luam thiab muaj cov yam ntxwv siv tshuab txawj ntse txuas nrog kev paub thiab txuj ci. Mora35 Kev Tsim Qauv Chaw Nyob Sab Hauv tau txais kev hwm vim nws tag nrho thiab tsim los muab kev txhim kho rau lub neej uas pab ua rau lub ntiaj teb zoo dua.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: A small space, hidden in a postwar building in an aristocratic residential neighborhood defined by the aesthetic and cultural vision of the elites of the mid-twentieth century, was found by the architects untouched, the now yellowed walls, the dusty terracotta stoves, and the solid wood flooring keeping the air of yesteryear.

The client expressed his desire to transform the space into a home with a timeless aesthetic, a space that would preserve and enhance the value of the place through materiality while from a technological point of the view the apartment ought to have the comfort of a smart home.

In an attempt to define the spatiality of a two-bedroom apartment in just 52 square meters, the colors, textures and materials that could clutter and overburden the space have been limited, thus inviting the play of natural materials to take the center role. textures of wood, brass and white walls were to define the space.

At first sight, the interior decor is simple: white walls, white doors that carry only their own texture, a unifying wooden floor whose stereotomy emphasizes a careful design that honors each space by creating a continuous dialogue between them. The brass frieze inserts follow the line of the furniture, while the parquet boards turn to highlight passages.

Beyond the simple image, there are discreet details that give the space uniqueness. The brass plinth creates a negative space at the point where the wall usually meets the floor giving the feeling that it holds the weight of the wall while below, the horizontal plane moves freely, seemingly defying the limits of space. Light touching the plinth produces reflections that follow a continuous, perimetral path.

Doors made without sills stand tall with a slim profile, thus emphasizing the height of the space. Instead of the sill, on the outside of the lining, a small brass band outlines the door, meeting the brass plinth on both ends. White wooden windows are bordered by a perimetral sill outlining the windows as frames towards the outside. The direct relationship between the living room and the bedroom, often found in the living morphology of that period, was preserved and enhanced by the presence of a harmonic metallic door, whose lines metaphorically describe a "gate".

Brass sculpts its presence in the white front of the kitchen, the continuous play of reflections creating the feeling of depth and spatiality in a small space.

Beyond the aesthetics, the space is animated by smart-home technology that allows remote control, the lights, thermostats, roller shutters, the heating system and the cooling system being at the user's fingertips.

The solid oak wood furniture, sculpted for each space and place, comes to support the timeless character of the interior while sculptural lights and round motifs support the balance of elements, creating a hierarchy, avoiding conflicts of dominance. To the left of the bed, the tall luminaire, standing on a bedside table whose own legs are high, filiform, contrasts with a luminaire with the same expression, suspended as the dominant over a heavy volumetric bedside table.

In this permanent compositional dialogue, the elements communicate and support each other, the viewer is invited to discover his own balance in the interior.
Qhov Loj & Ntim: This small apartment measures 52 square meters.
Cov Ntsiab Lus: mora 35, luxury interior design, timeless interior design, brass interior design, brass kitchen
Thev Naus Laus Zis Tsim Khoom: Oak wood, brass and white finishes have been been the main focus of the project.
In terms of technology, the small apartment features a KNX Smart Home System that can be controlled remotely.
Floor heating has also been retrofitted, a technical challenge for a building erected in 1955 and this and the entire HVAC apparatus, motorized shades included, can be controlled remotely.
Kev Sib Tw Tsim Qauv: Finding specialized workforce able to manipulate brass.
Kev Tshawb Fawb: The simple objective of the project has been to create a very technologically advanced living environment with a timeless design inspired whilst keeping mind that the building in which it resides has been erected in 1955.
The team at sculpta researched the building typologies of the neighborhood and incorporated through modern means recurring elements such as brass, oak wood, white timber windows with exterior aluminum cladding especially produced in Italy to ensure the cohesion with the entire façade and protect and enhance.
Kev Txhawb Siab: The age and modernist bones of the building inspired the timeless design it exudes today, through simple but rich in texture materials we brought the building in contemporaneity whilst honoring its age and heritage.
Lub Sij Hawm Ua Hauj Lwm: 12 months, Bucharest, Romania
Txheej Txheem Ua Hauj Lwm: All the functions of the apartment, with the exception of the access control apparatus can be controlled remotely thanks to the KNX infrastructure.
Cov Patent: Copyrights belong to Vlad Patru & sculpta.ba | Cristina & Anton Giuroiu
Cov Tswv Cuab Pab: arh. Cristina Giuroiu
arh. Anton Giuroiu
Kev Qhuas Duab: Phototography by Vlad Patru
Image Courtesy of sculpta.ba | Cristina & Anton Giuroiu