Proof of Existence Poj Niam Khaub Ncaws los ntawm Hyeonjeong Woo

Qhov qauv tsim Proof of Existence Poj Niam Khaub Ncaws los ntawm Hyeonjeong Woo yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Tooj hauv Pawg Sib Tw Tsim Khaub Ncaws Zam, Ris Tsho thiab Tsoos Tsho.

ToojKhaub Ncaws Zam· 2022

Proof of Existence Poj Niam Khaub Ncaws

los ntawm Hyeonjeong Woo

Tus Neeg Siv: Hyeonjeong Woo

Tus Yeej A' Design Award Tooj hauv Pawg Khaub Ncaws Zam

35,761

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #136492

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Proof of Existence Poj Niam Khaub Ncaws

Cov xim thiab cov cim ntawm tus chij zaj sawv yog qhov kev tshoov siab rau qhov kev npaj txhij-rau-hnav sau. Ntxiv rau lawv cov ntsiab lus tsim xws li lub thawv pleating thiab shirring, txhua lub zog zoo kuj muaj nws cov tes ua pendants thiab hlaws dai txuas rau cov ntaub tsim textures. Qhov khaus monochrome no thiab qhov tshwj xeeb eccentric silhouette txhawb los ntawm kev tsim kho cov ntsiab lus muab cov kev xav pom zoo. Nws yog txhua yam hais txog yuav ua li cas muaj tswv yim tsim hom lus raug txhais rau hauv khaub ncaws yam tsis tau txi cov ntsiab lus ntawm kev tsim kho lossis kev zoo nkauj, qhia txog qhov zoo nkauj tshiab.

Qhov Lees Paub

Txog A' Design Award Tooj

Proof of Existence Poj Niam Khaub Ncaws yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Proof of Existence Poj Niam Khaub Ncaws xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Proof of Existence Poj Niam Khaub Ncaws ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The rainbow flag serves as an inspiration for this streetwear-inspired collection, with each of the colors denoting a different aspect of what we hold dear in life. Handcrafted resin jewelry depicting nature-inspired designs adorns the monochromatic. I investigated ways to realize traditional two-dimensional repeated prints on fabrics into three-dimensional work to create exciting textures, each look holding different meanings. I concentrated on the thoughts and feelings while visualizing and tactilely experiencing each color and linked them to its purpose. Red represents life; Yellow means the sunlight, which reminds me of Atlanta, with great pine pollen in the springtime, which led me to use yellow durag. Green reflects nature, but it also means poison. To imply that, I painted the deadstock poly fabric with acrylic paint. Blue represents harmony. Finally, I used purple taffeta to achieve this effect by reflecting sun rays, creating the illusion of Venus or the Statue of Liberty.
Qhov Loj & Ntim: Industry-standard size of S/M for women.
Cov Ntsiab Lus: Monochrome, Womenswear, Street Fashion, Rainbow, Wearable Art, Clothing, Textile Design
Thev Naus Laus Zis Tsim Khoom: Utilizing my deadstock fabrics was the key. Initially, I had no intention of creating monochrome looks, but after doing some research, it became clear that this was the best option. I wanted to add dynamics to the eyes, I decided to make my own embellishments to add interplay and exciting textures to the design while staying true to its concept. I applied hand-drawn, molded, colored, ground, coated, and hand-stitched resin embellishments. I experimented with as many fabrics as I could find around, when I couldn't find the right color, I dyed, painted, or printed them since I wanted to maximize the use of fabric and buy less. I also sought to accomplish fruitful design details and structures and offer intricate designs and silhouettes, shirring, unbalanced cutting, pleating, and draping techniques to give organic and geometric aesthetics while having fun with small design details. The more the audience looked closer, the more details they could find.
Kev Sib Tw Tsim Qauv: In this collection, five different fabrics had to be utilized and placed correctly, which was the most challenging part of the project because using deadstock could mean a limited choice. Each material has its unique characteristics and quality; unexpected accidents always occur. Besides, I was desperate for industrial sewing machines and sergers. It also was my first time working with epoxy resin; producing hundreds of tiny pieces, casting, and grinding was such a time-consuming process. Everything was well-assembled and provided enjoyment in discovering small details, so it was worthwhile.
Kev Tshawb Fawb: Designers and artists should each have their own values and principles that guide their work. To make the world a better place, they must put in the time and effort and offer their skills to it. I use fashion as a platform because I believe the wearer can be a great exhibition with mobility; I frequently use it as a chance to discuss mental health with social issues; The rainbow flag's origins can be traced back to that place because it symbolizes acceptance and love, two things we desperately need.
Kev Txhawb Siab: As a result of the rise in hate crimes against the socially marginalized, I've found it increasingly difficult to deal with the issues. This collection was created in response to it, and it was inspired by rainbow flags, which intuitively represent the harmony, peace, and love we so desperately need right now. The collection's key is in how imaginatively it interprets the meaning of rainbow-hued clothing.
Lub Sij Hawm Ua Hauj Lwm: It was produced in South Korea from April 2021 to January 2022.
Txheej Txheem Ua Hauj Lwm: The primary and monochromatic hues give the clothes distinct energy of their own. With a wide range of fabric and garment construction techniques, it is Ready-To-Wear; however, the unique fabrications and decorative elements allow it to provide an elevated atmosphere to the wearers and viewers. Most garments are light to midweight; the wearer can perform without hassles and not lose the aesthetics. It can be worn in various settings, from business to a night on the town. Its traditional patternmaking method comforts the wearers, but its intense colors and unique surface design will make a difference. Equipped with both straight and curved harmony, softness, and solidity, this collection is faithful to the role of clothes yet aesthetical.
Cov Patent: Copyrights to Hyeonjeong Woo, 2022
Kev Qhuas Duab: Image #1: Hyeonjeong Woo, Proof of Existence, 2022
Image #2: Hyeonjeong Woo, Proof of Existence, 2022
Image #3: Hyeonjeong Woo, Proof of Existence, 2022
Image #4: Hyeonjeong Woo, Proof of Existence, 2022
Image #5: Hyeonjeong Woo, Proof of Existence, 2022