Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb los ntawm Yuting Zhang

Qhov qauv tsim Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb los ntawm Yuting Zhang yog tus yeej muaj nqis heev ntawm qhov khoom plig 2022 A' Design Award Tooj hauv Pawg Sib Tw Tsim Vaj Tsev, Tsev thiab Qauv Tsev.

ToojVaj Tsev· 2022

Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb

los ntawm Yuting Zhang

Tus Neeg Siv: Yuting Zhang

Tus Yeej A' Design Award Tooj hauv Pawg Vaj Tsev

11,171

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #138650

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb

Device of Perception yog ib lub chaw kawm txuj ci hauv Mexico City, muaj nyob ntawm ib cheeb tsam qub tsis siab thiab ib qhov kev tsim kho lag luam siab. Lub chaw no npog li ntawm 4500 metes square thiab muaj ib lub tsev sablaj rau kev qhia lus, ib lub tsev ua yeeb yam me me, chaw pib qhia khoom, chaw ua haujlwm, chaw khaws khoom thiab ib lub cafe. Ib thaj chaw pib nkag qis dhau lawm faib lub tsev tawm ntawm txoj kev loj muaj neeg coob, thiab ua kom tau ib qhov ntxiv rau lub rooj sib tham sab hauv tsev. Txhua theem ntawm lub tsev sab tuab luv luv raug muab tig ib feem plaub, ua ib txoj kev sib hlub uas muaj duab pom zoo ntawm lub nroog. Kev siv rau hlau ceev nyob (reinforced concrete) thiab hlau tiv taus huab cua (weathering steel) tau raug siv rau qhov kev tsim no.

Qhov Lees Paub

Txog A' Design Award Tooj

Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Device of Perception Chaw Tiv Thaiv Kev Paub Tseeb ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Qhov Loj & Ntim: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Cov Ntsiab Lus: cultural center, gallery, theater, exhibition
Thev Naus Laus Zis Tsim Khoom: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Kev Sib Tw Tsim Qauv: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Kev Tshawb Fawb: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Kev Txhawb Siab: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Lub Sij Hawm Ua Hauj Lwm: 2017 in Mexico City
Txheej Txheem Ua Hauj Lwm: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Cov Tswv Cuab Pab: Yuting Zhang
Kev Qhuas Duab: Yuting Zhang