Looping Flower Chaw Kab Lis Kev Cai Ikebana los ntawm Ni Jie Guo

Qhov qauv tsim Looping Flower Chaw Kab Lis Kev Cai Ikebana los ntawm Ni Jie Guo yog tus yeej muaj nqis heev ntawm qhov khoom plig 2024 A' Design Award Tooj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

ToojSab Hauv· 2024

Looping Flower Chaw Kab Lis Kev Cai Ikebana

los ntawm Ni Jie Guo

Tus Neeg Siv: Blankspace

Tus Yeej A' Design Award Tooj hauv Pawg Sab Hauv

10,553

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #151842

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Looping Flower Chaw Kab Lis Kev Cai Ikebana

Kev kos duab ntawm ikebana yog kev xav txog lub neej hauv kev ntws ntawm plaub lub caij, suav nrog kev ntes cov sijhawm luv luv kawg hauv Japanese kev zoo nkauj, kev rov tsim kho lub neej ntawm paj thiab ceg, thiab kev sib tsoo tshiab ntawm cov qauv thiab kev zoo nkauj. Tus qauv tsim ntawm tag nrho qhov chaw yog raws li tus ntsuj plig ntawm Kusatsuki-ryu, rho tawm cov ntsiab lus los ntawm cov tsev Japanese ib txwm muaj thiab hloov lawv mus ua hom lus vaj tsev niaj hnub, tshawb nrhiav kev sib raug zoo ntawm kev tsim kho niaj hnub thiab kev zoo nkauj nrog cov ntsiab lus Japanese abstract.

Qhov Lees Paub

Txog A' Design Award Tooj

Looping Flower Chaw Kab Lis Kev Cai Ikebana yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Looping Flower Chaw Kab Lis Kev Cai Ikebana xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Looping Flower Chaw Kab Lis Kev Cai Ikebana ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Qhov Loj & Ntim: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Cov Ntsiab Lus: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Thev Naus Laus Zis Tsim Khoom: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Kev Sib Tw Tsim Qauv: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Kev Tshawb Fawb: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Kev Txhawb Siab: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Lub Sij Hawm Ua Hauj Lwm: The project started in August 2022 and finished in December 2022 in China .
Txheej Txheem Ua Hauj Lwm: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Cov Tswv Cuab Pab: NI JIE GUO
Kev Qhuas Duab: BLANKSPACE