Tibetan Thangka Art Tsev Khaws Puav Pheej los ntawm AND Studio

Qhov qauv tsim Tibetan Thangka Art Tsev Khaws Puav Pheej los ntawm AND Studio yog tus yeej muaj nqis heev ntawm qhov khoom plig 2024 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Vaj Tsev, Tsev thiab Qauv Tsev.

NyiajVaj Tsev· 2024

Tibetan Thangka Art Tsev Khaws Puav Pheej

los ntawm AND Studio

Tus Neeg Siv: And Studio

Tus Yeej A' Design Award Nyiaj hauv Pawg Vaj Tsev

28,259

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #152344

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Tibetan Thangka Art Tsev Khaws Puav Pheej

Lhasa Thangka Museum yog ib lub tsev khaws puav pheej rau Thangka kos duab uas nyob ntawm taw roob hauv Lhasa. Lub tsev raug teeb tsa raws li tus qauv ntawm ib lub tsev teev ntuj Tibetan thiab tsim kev sib tham nrog lub roob thiab lub ntuj. Ib txoj kev sab nraud nce mus rau nruab nrab ntawm cov qhov chaw loj thiab coj mus rau ib lub tshav puam siab, thaum ib txoj kev sab hauv teeb tsa cov chaw nthuav qhia. Cov phab ntsa pob zeb ib txwm muaj raug muab txhais dua tshiab ua cov phab ntsa concrete ob txheej uas muaj cua ntws, uas pab txhim kho kev thaiv kub thaiv txias thiab txo kev siv hluav taws xob. Tau siv cov khoom siv hauv zos thiab cov neeg ua haujlwm hauv zos. Lub tsev khaws puav pheej txhawb nqa Thangka kos duab thiab Tibetan kab lis kev cai.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Tibetan Thangka Art Tsev Khaws Puav Pheej yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Tibetan Thangka Art Tsev Khaws Puav Pheej xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Tibetan Thangka Art Tsev Khaws Puav Pheej yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Set against the foothills of the mountains, the Lhasa Thangka Museum is organized in the manner of a Tibetan monastery, with an emphasis on dialogue with the mountain and the sky. The detail design respects the heritage of the local culture and reproduces the traditional artistic features with a modern architectural language.The museum aims to be a window for the dissemination of Thangka art, it will treasure and promote Thangka culture and Tibetan culture.
Qhov Loj & Ntim: The main tower is used as an exhibition space, as a vantage point to admire the landscape and at the same time acts as a "wind tower": it creates natural ventilation and cools the building during the very hot summers. The double wall structure guarantees the insulation of the building, the reduction energy consumption for heating and cooling by 30%, and the integration of the technical equipment.
Cov Ntsiab Lus: museum, thangka art, concrete, brass, glass curtain wall
Thev Naus Laus Zis Tsim Khoom: The project is organized in two paths: the external one, which takes up the path of the Tibetan monastery, a climb between the different volumes, which recalls the ascent of the mountain, to lead to the high square, where During the “Sho Dun” festival, you can admire a large Thangka suspended against the tower; the other interior, which organizes the exhibition spaces and the objects on display following the path of the believer in search of enlightenment. In order to get as close as possible to the zero carbon objective, quite a lot of work has been done on the search for local materials and producers and reducing CO2 production and energy consumption. We convinced our Client not to import materials from elsewhere, avoiding long supply transportation, favoring local manpower and materials. To protect the environment, quarries are now banned in the region. We therefore chose to reinterpret the traditional stone walls with double ventilated concrete walls. We used pressed clay, a local ancestral technique, to create the floor of the exhibition spaces.
Kev Sib Tw Tsim Qauv: At first we wanted to use the local stone, following the vernacular architecture. However quarrying is now prohibited in this region in order to protect the environment. We have therefore chosen to reinterpret the traditional stone walls with double walls in concrete.
We chose concrete instead of steel and metal cladding in order to avoid any importation of materials.
Kev Tshawb Fawb: At the genesis of this project, a great collector contacted us to promote and exhibit this art from the Buddhist religion; a cultural and secular approach unprecedented in Tibet. Exploring Lhasa guided by a monk and by the client allowed us to immerse ourselves in this ancestral culture. For us, it was a question here of conceiving a poetic, spiritual project, intimately linked to this context. Through our architect's eyes, we have transcribed our learning of Buddhist culture to create a museum deeply rooted in the local reality; a secular place where the boundaries between art and spirituality merge.
Kev Txhawb Siab: Two years ago we were approached by the largest holder of Thangka art collection in the world to study for a museum project in Tibet. We have the ambition to reconcile modernity and tradition. For this we took an initiatory journey to learn Thangka art, local culture, in its expressions of volumetric and architectural composition. The progression through the Potala Palace inspires the journey around the volumes of our project.
Lub Sij Hawm Ua Hauj Lwm: The project started in February 2019 and finished in May 2022 in Lhasa, China
Txheej Txheem Ua Hauj Lwm: We designed this museum to promote learning and meditation. The light work and scenography are designed to sublimate the centuries-old paintings, which will serve as inspiration and testimony for future generations.
The museum itinerary was designed in collaboration with the curator and a local monk. The use of natural light as an architectural component has guided the design of the spaces. Zenithal light, claustra and fissures occasionally pierce the walls and roofs of the exhibition halls.
Cov Patent: Design: AND Studio
Consultant: CSCEC AECOM Consultants Co., LTD
Cov Tswv Cuab Pab: Lead Architect: Ning Wang
Lead Architect: Duccio Cardelli
Architect: Tomasso di Francia
Architect: Yutong Ma
Architect: Qinyi Li
Architect: Luca Amighetti
Architect: Dominika Kowalczyk
Kev Qhuas Duab: Photo and Video by: Arch-Exist Photography