Jinglan Bay Art Chaw Muag Tsev los ntawm Nic Lee

Qhov qauv tsim Jinglan Bay Art Chaw Muag Tsev los ntawm Nic Lee yog tus yeej muaj nqis heev ntawm qhov khoom plig 2024 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

NyiajSab Hauv· 2024

Jinglan Bay Art Chaw Muag Tsev

los ntawm Nic Lee

Tus Neeg Siv: China Resources Land South China Guangxi Co.

Tus Yeej A' Design Award Nyiaj hauv Pawg Sab Hauv

22,229

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #152974

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Jinglan Bay Art Chaw Muag Tsev

Jinglan Bay Art yog ib qhov chaw muag tsev sab hauv uas nyob rau hauv Liuzhou, ib thaj chaw toj roob hauv pes uas muaj dej ntws nkhaus. Sab hauv muaj 1705 square meters thiab muaj chaw tos txais qhua, chaw muag, chaw nthuav qhia, chaw digital media thiab chaw VIP. Tsis yog luam tus duab toj roob los ntawm cov duab qauv, tab sis siv qhov pom kev thiab duab ntxoov ntxoo los qhia txog roob siab thiab dej tob. Black terrazzo raug txhuam kom ci li daim iav, yog li cov duab sab nraum zoov thiab cov neeg tuaj xyuas txav mus los raug pom ntxoov ntxoo rau hauv. Cov pob zeb nyoos ntawm lub qhov rooj tsim kom muaj qhov tob li ib lub hav. Lwm cov ntaub ntawv siv muaj xws li marble txaug, xim mineral, ntoo dub thiab ntoo oak.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Jinglan Bay Art Chaw Muag Tsev yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Jinglan Bay Art Chaw Muag Tsev xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Jinglan Bay Art Chaw Muag Tsev yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Qhov Loj & Ntim: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Cov Ntsiab Lus: sales center, landscape, museum, indoor architecture, interior design
Thev Naus Laus Zis Tsim Khoom: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Kev Sib Tw Tsim Qauv: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Kev Tshawb Fawb: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Kev Txhawb Siab: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Lub Sij Hawm Ua Hauj Lwm: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Txheej Txheem Ua Hauj Lwm: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Kev Qhuas Duab: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.