Janus Kev Tsim Qauv Sab Hauv Tsev Bar los ntawm Junlin Zhang

Qhov qauv tsim Janus Kev Tsim Qauv Sab Hauv Tsev Bar los ntawm Junlin Zhang yog tus yeej muaj nqis heev ntawm qhov khoom plig 2024 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

NyiajSab Hauv· 2024

Janus Kev Tsim Qauv Sab Hauv Tsev Bar

los ntawm Junlin Zhang

Tus Neeg Siv: Janus

Tus Yeej A' Design Award Nyiaj hauv Pawg Sab Hauv

20,522

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #156360

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Janus Kev Tsim Qauv Sab Hauv Tsev Bar

Janus yog ib lub bar haus whisky thiab cocktail nyob hauv Changsha, Suav teb. Sab hauv tsev muaj cheeb tsam li ntawm 200 square meters thiab muab faib ua ob txheej tsev. Sab nraud ntawm lub tsev tsim los ntawm cov thooj geometric dub yooj yim nrog cov kev kho kom zoo nkauj raws li qub, thiab ib lub sam thiaj cantilever tuav ib tug duab puab classical. Txheej thawj yog ib qhov chaw pab txhawb, hos txheej ob yog qhov chaw tseem ceeb thiab tau txais duab tshav ntuj los ntawm ib lub qhov qhib saum ru tsev. Tus ntaiv siv cov ntaiv ntoo xoob uas ua rau muaj suab mos thiab me ntsis rov ntxig rov qab thaum tsuj. Cov ntoo veneer nrog cov kab ntsug thiab cov hlau stainless steel ci iav tsim lub cwj pwm ntawm qhov chaw.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Janus Kev Tsim Qauv Sab Hauv Tsev Bar yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Janus Kev Tsim Qauv Sab Hauv Tsev Bar xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Janus Kev Tsim Qauv Sab Hauv Tsev Bar yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Janus is a whisky and cocktail bar with a social aspect. Our client had two demands: one was that the audience should not interpret this place according to the literal meaning of Janus or their traditional concepts, and the other was that the audience should have more than two different spatial experiences in this place. These different spatial experiences combine as an integral whole rather than to be independent ones.
Qhov Loj & Ntim: 200 meter-square
Cov Ntsiab Lus: bar, whisky, postmodernism, hard and warm feeling, retroism, experimental
Thev Naus Laus Zis Tsim Khoom: What exactly are we talking about when we talk about spatial ambience? Is it sunlight, air, sound, materials, textures, or colours? I began to think about the overall relevance of the façade in relation to the first and second floors. They are at once traditional, strong and thick, even a little archaic and they are at the same time receptive, inclusive, interesting and experimental. I tried to use postmodernism to summarise the atmosphere created inside and outside the building. I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Kev Sib Tw Tsim Qauv: I decided to create the façade with clean and simple geometric blocks, which is the style of contemporary. But it also has classical features in the details. To this point I felt that these designs were not enough because the conflict had not reached its climax. So I added a cantilever platform to place a classical sculpture. It was at this point that I felt the importance of such design planning came to the fore. The pure black and hard blocks together with the classical sculpture bring the sense of power and make it attractive. Such not complicated aesthetics give audiences more possibilities to imagine.
Kev Tshawb Fawb: I tried to decipher the form of beauty, but I found that I could not describe or categorise it accurately and clearly. It can be specific things such as people, air, light, sound or colour. When we deal with different clients and different conditions of the place, the results are unpredictable. It reminds me of Louis Kahn, who asked the red brick what it wanted to be.
Kev Txhawb Siab: When I first went to the site for mapping, I was very excited and surprised by the light on the second floor, when the sunlight was pouring down from the daylight opening. My first reaction was that the place already has distinctive features that can bring audiences different moods, and experiences in the daytime and night-time. I then began to conceptualise how to create two or more different atmospheres in the space. Creating is the art of making a meaningful whole out of individual components
Lub Sij Hawm Ua Hauj Lwm: The project was launched in March 2023 in Changsha, China and completed in June 2023 in Changsha, China
Txheej Txheem Ua Hauj Lwm: When I open the door to the first floor, the confrontation between the interior space and the facade appeared which is confrontation in colour, material, the whole and the fragmented. But this does not detract from the formal unity of the exterior and interior. The retroism without losing the independent style declares their relevance. The staircase guides to the upward space, and I deliberately used loose wood as the tread of the staircase. Stepping on it has a rustling sound and can feel the rebound of the wood. This is completely different from the feeling of crossing the first floor with steady steps. The first floor also doesn’t have the light and shadow spilling out from the top. The low linear strip of light on the side of the handrail is a safety cue as well as an orientation. People in such environment begins to become focused and anticipated. The spatial atmosphere of the second floor is basically the same as what I had conceived. Everything is as it is. There is no conflict, no exaggerated arrangement, no criticism and no attempts. I am like a director who arranges the work of each department and position in an orderly manner. Covered wood veneer with vertical grain delivers both hard and warm feeling. Mirrored stainless steel breaks the calm and refract light and images that change with the activities of the people in the space. Sometimes it is cold, sometimes warm, sometimes noisy, sometimes quiet and ambiguous.
Cov Tswv Cuab Pab: Lead designer: JunLin Zhang
Extension designer: WenLiang Liu
Rendering designer: JingYu Zhang
Kev Qhuas Duab: Ueya photography（Lei Liu）