Kouunji Kyakuden Tsev Txais Tos Tuam Tsev los ntawm Hiroaki Iwasa

Qhov qauv tsim Kouunji Kyakuden Tsev Txais Tos Tuam Tsev los ntawm Hiroaki Iwasa yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Tooj hauv Pawg Sib Tw Tsim Vaj Tsev, Tsev thiab Qauv Tsev.

ToojVaj Tsev· 2025

Kouunji Kyakuden Tsev Txais Tos Tuam Tsev

los ntawm Hiroaki Iwasa

Tus Neeg Siv: Hiroaki Iwasa Architects Workshop

Tus Yeej A' Design Award Tooj hauv Pawg Vaj Tsev

16,630

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #162806

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Kouunji Kyakuden Tsev Txais Tos Tuam Tsev

Txoj haujlwm no yog kev tsim kho dua tshiab ntawm lub tsev txais tos uas muaj 140 xyoo, uas yog ib qho ntawm cov chaw ntawm lub tuam tsev Buddhism Kouunji. Lub tsev txais tos qub tau raug zej tsog hauv zos hlub tau ntev lawm; txawm li cas los xij, vim nws raug kev puas tsuaj loj heev dhau xyoo, nws yuav tsum tau tsim kho dua tshiab. Tus kws tsim vaj tsev tau daws cov teeb meem no los ntawm kev hloov kho thiab ua kom sib haum xeeb, thiab tseem tsim cov txheej txheem los xa cov kev nco qab ntawm zej tsog hauv zos mus rau tiam tom ntej. Raws li qhov tshwm sim, lub tsev txais tos tshiab tsis tsuas yog ua tiav kev nco txog yav dhau los xwb tab sis kuj muaj qhov chaw tseem ceeb hauv keeb kwm.

Qhov Lees Paub

Txog A' Design Award Tooj

Kouunji Kyakuden Tsev Txais Tos Tuam Tsev yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Kouunji Kyakuden Tsev Txais Tos Tuam Tsev xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Kouunji Kyakuden Tsev Txais Tos Tuam Tsev ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Qhov Loj & Ntim: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Cov Ntsiab Lus: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Thev Naus Laus Zis Tsim Khoom: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Kev Sib Tw Tsim Qauv: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Kev Tshawb Fawb: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Kev Txhawb Siab: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Lub Sij Hawm Ua Hauj Lwm: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Txheej Txheem Ua Hauj Lwm: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Kev Qhuas Duab: Photographer Kozo Takayama