Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom los ntawm Mitsuhiro Shoji - Uchida Shanghai

Qhov qauv tsim Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom los ntawm Mitsuhiro Shoji - Uchida Shanghai yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Nyiaj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

NyiajSab Hauv· 2025

Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom

los ntawm Mitsuhiro Shoji - Uchida Shanghai

Tus Neeg Siv: Regional Creation NAGASAKI Co, Ltd.

Tus Yeej A' Design Award Nyiaj hauv Pawg Sab Hauv

20,599

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #168791

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom

Work at Nagasaki yog ib lub chaw ua haujlwm sib koom nyob rau txheej kaum thiab txheej kaum ib ntawm ib lub tsev nyob hauv plawv nroog qub ntawm Nagasaki, teb chaws Nyij Pooj. Ob txheej no muaj 4,500 square meters thiab txuas ua ke los ntawm ib tug ntaiv loj uas kuj siv ua ib chav kawm qhib rau lub sijhawm muaj xwm txheej tshwj xeeb. Txheej kaum muaj ib qhov chaw tos txais qhua, ib qhov chaw ua koob tsheej thiab ib lub chaw ua haujlwm qhib. Txheej kaum ib muaj cov chaw ua haujlwm kaw thiab ib chav sib ntsib uas pom deb thoob plaws. Cov khoom siv hauv zos xws li pob zeb Isahaya thiab ntoo Sendan tau raug siv, thiab ib lub rooj hlau ntev 5.5 meters tau raug ua los ntawm cov txheej txheem ua nkoj.

Qhov Lees Paub

Txog A' Design Award Nyiaj

Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom yog tus yeej ntawm A' Design Award Nyiaj, ib qho kev lees paub muaj meej mom heev tshaj li qub uas muab rau cov qauv tsim qib siab, zoo nkauj thiab ua rau neeg xav tsis thoob. Cov neeg yeej Nyiaj yog cov haujlwm ci ntsa iab heev thiab tsim tshiab heev uas qhia txog kev paub, kev txawj ntse thiab kev ntse ntawm cov kws tsim qauv. Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom xav tias yuav yog ib qho haujlwm zoo kawg nkaus uas tsim rau qhia, tshaj lij heev thiab tsim tshiab tob. Cov qauv tsim yeej A' Design Award Nyiaj no yog ib qho khoom tsim uas pom tseeb heev thiab neeg qhuas uas pab tau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Work at Nagasaki Kev Tsim Qauv Sab Hauv Rau Chaw Ua Haujlwm Sib Koom yog ib qho khoom tsim uas neeg coob xav tau, uas ua rau xav, coj kev xav zoo thiab ua rau xav tsis thoob thiab xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Located in the heart of Nagasaki's old city center and its rich natural surroundings, WORK@NAGASAKI is a workplace that blends the grandeur of the natural landscape with a contemporary work style.
This next-generation co-working space, which is based on the theme of incorporating the changing landscape over time, is a creative space that emerges with a sense of floating in the elegant nature of Nagasaki's landscape and urban materials, blending them together beautifully.
Qhov Loj & Ntim: The building consists of two floors totaling 4,500 square meters on the 10th and 11th floors, and the two floors are connected by a grand staircase.
The building is located in a prime location, surrounded by a rich natural environment and overlooking the mountain range and the old city.
The 10th floor consists of a reception area, event space, and open office space, with the floor and ceiling materials cut to create a rhythm of space without blocking the view of the large space.
The 11th floor consists of closed offices and a conference room with a rich view.
The grand staircase with a view of the landscape is used as an open seminar room during events and is planned as an important element of the space.
Cov Ntsiab Lus: Office,coworkingspace,Nagasaki,shanghai
Thev Naus Laus Zis Tsim Khoom: The project expresses a unique post-architectural, post-luxury design in contemporary Nagasaki, a city that has nurtured a unique culture influenced by Western and Chinese influences.
Materials, styles, and colors were sublimated into a design inspired by existing historical buildings and townscapes.
For example, Isahaya stone, which has been used for many years in Nagasaki's urban infrastructure, was used in its raw form for furniture without the need to make it more modern and primitive, and a 5.5-meter steel plate counter was placed in the space as an object using shipbuilding technology.
The design concept was adjusted based on multiple fieldwork sessions, such as tracing stone patterns commonly seen on streets and reflecting the lines of the Nagasaki mountain range in the louvers.
The goal was to create a deep spatial concept that is conscious of the continuity of the mixed design with the surrounding environment.
Kev Sib Tw Tsim Qauv: When considering the quality and strength of the space, we decided not to use melamine or printed sheet materials, which have been widely used in interior design in recent years, for the interior and furniture. This is because we feel that the control of space through texture is very important in reality, and that fine nuances cannot be achieved with fake materials. Therefore, it was very difficult to control details and costs for each design.
The low table in the VIP room is made of raw stone, so it took a long time to select a material that could be used as a table without processing. The tables weighed 350 kg and were difficult to install and carry in.
The wood used for the furniture and interior design was laminated wood and plywood made from a material called “Sendan” produced in the Nagasaki area, so we spent a lot of time coordinating with the producer after design.
Kev Tshawb Fawb: Fieldwork was conducted. Teams of local residents and designers surveyed Nagasaki to find out what styles and materials are used in Nagasaki for the purpose of researching historical architecture in the surrounding area. The team investigated the origins of distinctive styles and materials, and visited the places of origin of materials to record their condition before processing or to collect samples to explore their potential for interior design. For lumber, stone, and iron sheets, we investigated the processing process in more detail, and considered the finished state in more detail. The collected materials were placed on a material board by type and color, and the design was studied to create a more nuanced design by combining them with new styles.
We concluded that the texture and strength of the materials may lead to a generosity of space that is currently lacking in interior design, and this had a major impact on the post-architectural and post-luxury ideas of this project.
Kev Txhawb Siab: Research on the streets of Nagasaki through fieldwork.
Design inspiration was drawn from nature.
The main theme was to minimally incorporate aged natural materials and historical architectural styles influenced by other countries into the design.
Lub Sij Hawm Ua Hauj Lwm: The project started in December 2022 in Nagasaki and finished in October 2024.
Txheej Txheem Ua Hauj Lwm: A space designed to creatively support interaction, development, and the emergence of a new economy in Nagasaki, targeting companies, students, and startups from around the world. The location can be freely chosen to stimulate creativity through all five senses while experiencing the changing natural landscape around the space.
The space can accommodate a team of １ to 30 people, and offers a high level of spatial hospitality with furniture and interior furnishings designed with materials from Nagasaki, Japan, for both concentration and interaction. The space can be selected from open and rough space to modern luxury space.
Space is available to visitors on a time basis.
Cov Tswv Cuab Pab: Architect:Mitsuhiro Shoji
Designer:Yasuhisa Makino
Designer:Makoto Hayashi
Photo:Kenta Hasegawa
Kev Qhuas Duab: Main Image : Photographer Kenta Hasegawa, nightscape,2025
Optional Image #1 : Photographer Kenta Hasegawa, High-quality VIP rooms,2025
Optional Image #2: Photographer Kenta Hasegawa, 5.5m long steel plate reception desk,2025
Optional Image #3 : Photographer Kenta Hasegawa, Private seats with a view of the landscape,2025
Optional Image #4 : Photographer Kenta Hasegawa, High-quality VIP rooms,2025