Zig Zag Kab Hlab Txheem Niaj Hnub los ntawm Mayte Ossorio Domecq

Qhov qauv tsim Zig Zag Kab Hlab Txheem Niaj Hnub los ntawm Mayte Ossorio Domecq yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Tooj hauv Pawg Sib Tw Tsim Khoom Dai Tes.

ToojKhoom Dai Tes· 2025

Zig Zag Kab Hlab Txheem Niaj Hnub

los ntawm Mayte Ossorio Domecq

Tus Neeg Siv: Mayte Domecq

Tus Yeej A' Design Award Tooj hauv Pawg Khoom Dai Tes

21,546

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #171308

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Zig Zag Kab Hlab Txheem Niaj Hnub

Los Ntawm Ncaj Mus Rau Nkhaus: Tus Zig Zag Ua Zoo Li Duab. Txoj haujlwm tshawb fawb siv tau no tshawb nrhiav txog kev hloov ntawm ib kab ncaj mus rau ib kab nkhaus los ntawm kev txiav txhij. Lub hom phiaj yog los tsim ib lub hlab caj dab uas muaj zog thiab zoo nkauj txaus nyiam thaum txo kev siv cov khoom tsawg tshaj plaws thiab ua kom zoo tshaj plaws rau tus qauv tsim. Txoj kev ua haujlwm yog raws li kev sim ncaj qha, qhov twg ntau yam txheej txheem txiav thiab khoov raug sim los ua kom tiav qhov kev yoog raws thiab tus duab uas xav tau.

Qhov Lees Paub

Txog A' Design Award Tooj

Zig Zag Kab Hlab Txheem Niaj Hnub yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Zig Zag Kab Hlab Txheem Niaj Hnub xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Zig Zag Kab Hlab Txheem Niaj Hnub ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Qhov Loj & Ntim: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Cov Ntsiab Lus: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
Thev Naus Laus Zis Tsim Khoom: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Kev Sib Tw Tsim Qauv: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Kev Tshawb Fawb: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Kev Txhawb Siab: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Lub Sij Hawm Ua Hauj Lwm: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Txheej Txheem Ua Hauj Lwm: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Cov Patent: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Cov Tswv Cuab Pab: Mayte Ossorio Domecq
Kev Qhuas Duab: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino