Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub los ntawm Nana Watanabe

Qhov qauv tsim Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub los ntawm Nana Watanabe yog tus yeej muaj nqis heev ntawm qhov khoom plig 2026 A' Design Award Tooj hauv Pawg Sib Tw Tsim Khoom Dai Tes.

ToojKhoom Dai Tes· 2026

Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub

los ntawm Nana Watanabe

Tus Neeg Siv: Nana Watanabe

Tus Yeej A' Design Award Tooj hauv Pawg Khoom Dai Tes

8,245

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #176096

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub

Cov Ntawv Phau Ntawv: Lub Paj Nkaub Flora Octopus muab cov khoom kim heev niaj hnub nimno los xyaw nrog cov duab txaug xaws tes, nthuav tawm ib daim ntaub yaj lej sib npaug tab sis loj hlob uas tau txais kev tshoov siab los ntawm cov tsiaj nyob hauv hiav txwv uas xav txog. Nyob rau hauv qhov chaw ntawm cov hlau lossis pob zeb ib txwm siv, nws siv cov xov rov qab siv thiab organza los tsim cov nplai, kev ntws, thiab kev txav mus los ntawm ntuj. Cov kev tsim duab peb-sib npaug hauv kev xaws tes qhia txog kev txhawb nqa thiab kev tsim tshiab, thaum lub sijhawm cov xim sib txawv sib tw ua kom cov xov hloov mus ua ib qho cuab yeej txaug duab. Lub paj nkaub no ua tau ob qho tib si kev kho kom zoo nkauj thiab kev tshaj tawm, taw qhia txog kev txawj ntse thiab kev paub txog ib puag ncig hauv cov khoom kim heev niaj hnub nimno.

Qhov Lees Paub

Txog A' Design Award Tooj

Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Flora Octopus Kev Ua Haujlwm Tseem Ceeb: Paj Nkaub ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Flora Octopus Brooch combines textile embroidery with sculptural jewelry design, creating a lightweight yet voluminous form that resembles an imaginary marine creature. Unlike conventional jewelry made of metal or stones, it uses threads to express texture, fluidity, and movement. Its unique fusion of embroidery and three-dimensional construction highlights sustainability and artistry, offering a distinctive alternative in contemporary jewelry.
Qhov Loj & Ntim: Dimensions: 16 x 18 x 15 cm
Weight: approx. 10 g
Materials: recycled polyester fabric, brass fittings, nylon.
Despite its voluminous size, the brooch is extremely lightweight, ensuring comfort and making it suitable even for delicate fabrics. The design balances artistic presence with everyday practicality. The packaging is made from recyclable paper, further emphasizing the brand's commitment to sustainability.
Cov Ntsiab Lus: Embroidery, Textile Jewelry, Sculptural Brooch, Sustainable Design, Recycled Materials, Organza, Tulle, Transparency, Nature Inspired, Marine Aesthetics, Innovative Craft, Ethical Jewelry
Thev Naus Laus Zis Tsim Khoom: The brooch is created by layering recycled polyester organza with high-precision machine embroidery, then hand-assembling the pieces into a sculptural form. Instead of relying on traditional jewelry materials such as metal or gemstones, the design employs thread as a primary medium to construct a three-dimensional organic structure. This innovative approach redefines the boundaries of jewelry design, combining lightness, sustainability, and artistry in a single piece.
Kev Sib Tw Tsim Qauv: The greatest challenge was transforming soft materials such as thread and fabric into a sculptural form that could maintain its structure. Conventional methods failed to provide stability, which led to the development of an original sewing and assembly technique. Another difficulty was to ensure durability while keeping the piece lightweight, so that it could be safely worn even on delicate fabrics. This was achieved through extensive material research and close collaboration with embroidery specialists. Furthermore, by filling the interior with loosely arranged tulle instead of tightly packed wadding, the design introduces a sense of air and transparency. The inner tulle subtly shines through the outer organza in a gradient effect, capturing the translucent and poetic beauty of creatures that inhabit the sea.
Kev Tshawb Fawb: This research set out to challenge the historical paradigm of jewelry design, which has traditionally relied on metals and gemstones, by exploring the potential of textiles as a primary medium. Through the observation of natural forms, material experimentation, and iterative prototyping, a unique methodology was developed to sculpt fabric into three-dimensional structures. In particular, the layering of organza on the exterior with softly inserted tulle inside creates an airy volume with translucency and subtle gradients of color. This technique evokes the ethereal beauty of marine life, with its transparent and fluid qualities. The result is a piece that is not only lightweight and sustainable but also expands the boundaries of jewelry, traversing the realms of fashion, craft, and art.
Kev Txhawb Siab: The design was inspired by the organic beauty of marine life, particularly the graceful yet mysterious form of an octopus. By combining floral motifs with oceanic imagery, it symbolizes both fragility and strength, evoking a sense of an imaginary paradise where nature and fantasy intertwine.
Lub Sij Hawm Ua Hauj Lwm: The project began in April 2025 in Fujisawa, Kanagawa, and was completed in June 2025. It was first unveiled at a solo exhibition in Tokyo in the same month, where it was introduced as a new approach to contemporary jewelry expression.
Txheej Txheem Ua Hauj Lwm: The brooch is easily attached by inserting the pin through fabric, offering a secure yet lightweight hold that does not damage even delicate garments. Once worn, it instantly transforms ordinary attire into an artful statement, embodying the organic beauty of nature. More than a decorative accessory, it offers a sensorial and expressive experience, allowing the wearer to carry a piece of sculptural poetry as part of their personal style.
Kev Qhuas Duab: Photographer: Sayuka Tanaka, 2025