Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese) los ntawm Atsushi Kawaguchi

Qhov qauv tsim Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese) los ntawm Atsushi Kawaguchi yog tus yeej muaj nqis heev ntawm qhov khoom plig 2026 A' Design Award Tooj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

ToojSab Hauv· 2026

Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese)

los ntawm Atsushi Kawaguchi

Tus Neeg Siv: Ishidaya

Tus Yeej A' Design Award Tooj hauv Pawg Sab Hauv

6,467

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #180958

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese)

Cov Ntawv Phau: Ishidaya yog ib lub tsev noj mov Nyij Pooj nyob hauv thaj tsam nruab nrab ntawm lub nroog Hanoi. Qhov project no siv Taisho Roman, uas yog ib lub sijhawm thaum kev coj noj coj ua ntawm Nyij Pooj thiab Sab Hnub Poob tau sib txuas, ua nws lub hauv paus, txuas kev zoo nkauj ntawm Nyij Pooj thiab lub tsev tus yam ntxwv Sab Hnub Poob. Ib lub qhov rooj ntoo saum toj ntawm lub rooj ua haujlwm txuas kev tsim kho txawj ntse tuaj rau nrog Art Deco geometry thiab ua yam tseem ceeb pom tau tseeb. Tsis yog ua kev kho kom zoo nkauj xwb, tab sis nws tsim kev pom los ntawm qhov teeb pom kev thiab kev hloov qhov chaw saib. Qhov tshwm sim yog ib qho chaw txwv tsis pub uas muab cov ntsiab lus coj noj coj ua sib tshooj thiab muab ib qho kev txhais tseeb ntawm kev noj haus tam sim no hauv Hanoi.

Qhov Lees Paub

Txog A' Design Award Tooj

Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese) yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese) xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Ishidaya Dej Num Tseem Ceeb: Tsev Noj Mov Nydpooj (Japanese) ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Qhov Loj & Ntim: Renovation of existing buildings
Cov Ntsiab Lus: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Thev Naus Laus Zis Tsim Khoom: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Kev Sib Tw Tsim Qauv: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Kev Tshawb Fawb: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Kev Txhawb Siab: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Lub Sij Hawm Ua Hauj Lwm: The project started in August 2024 in Hanoi and finished in April 2025.
Txheej Txheem Ua Hauj Lwm: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Kev Qhuas Duab: All photos / HIROYUKI OKI