Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob los ntawm Li Hsu Tsai

Qhov qauv tsim Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob los ntawm Li Hsu Tsai yog tus yeej muaj nqis heev ntawm qhov khoom plig 2020 A' Design Award Tooj hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

ToojSab Hauv· 2020

Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob

los ntawm Li Hsu Tsai

Tus Neeg Siv: Tsong Yo Interior Design

Tus Yeej A' Design Award Tooj hauv Pawg Sab Hauv

9,121

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #88794

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob

Absolute Nature yog ib qho kev tsim qauv sab hauv tsev nyob rau ib lub tsev plaub theem nyob hauv Pingtung City, Taiwan. Nws thaj tsam loj yog 245 square meters, suav nrog lub vaj sab nraud. Qhov kev tsim qauv no tau txais kev txhawb siab los ntawm tsev pob zeb thaum ub thiab cov txuj ci thiab kev ua haujlwm tes ntawm cov neeg thaum ub nyob hauv thaj chaw ntawd. Cov qhov rai me thaum ub tau hloov ua phab ntsa iav, thiab tau ntxiv cov qhov rai saum ru tsev (skylights) thiab cov nthab siab. Lub choj hauv plawv tsev tau rho tawm thiab tsim dua tshiab ua ib txoj choj muaj ib tug ncej txawb (single stringer staircase) nyob rau ntawm tus kawg ntawm lub tsev kom tsim tau ib qho chaw dav qhib. Cov khoom siv xws li cement, iav, ntoo tas nqus (driftwood), tiles, thiab ntoo rov siv dua (recycled timber) tau raug siv rau hauv qhov kev tsim qauv no.

Qhov Lees Paub

Txog A' Design Award Tooj

Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob yog tus yeej ntawm A' Design Award Tooj, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim tshwj xeeb uas txawv los ntawm kev tsim tshiab, kev txawj tsim thiab kev ntse. Cov neeg yeej Tooj yog cov khoom muaj txuj ci heev thiab tsim tshiab heev uas ua pov thawj txog kev paub ntau, kev xav thiab kev txawj ua ntawm cov kws tsim qauv. Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob xav tias yuav yog ib qho khoom uas neeg hwm, qhuas thiab hlub, uas tshaj lij heev thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Tooj no siv cov kev coj ua zoo tshaj plaws ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis thiab zoo heev vim nws saib xyuas cov ntsiab lus. Absolute Nature Kev Tsim Qauv Sab Hauv Tsev Nyob ua tau raws li cov kev xav tau zoo kawg, kov cov kev xav, ntxias cov kev xav thiab txhawb kev xav paub.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: The project restores its original beauty, at the same time incorporate recyclable materials to reduce waste and save energy. Open plan layout introduces natural lighting and ventilation, complimented with garden pool landscaping and greeneries to resemble immortality. A wide variety of handicrafts is utilized to reactivate the space and act as a presentation of life style. The project tends to integrate natural ecology with arts and humanities while promoting a healthy lifestyle environment.
Qhov Loj & Ntim: It is a four-story building with a total area of 245 square meters including the outdoor garden. The interior spaces are mainly comprised of living room, dining room and kitchen on the first floor, reading area and multi-purpose room on the second floor, studio and lounge with storeroom on the third floor, and bedroom, washroom, steam room, etc. on the fourth floor.
Cov Ntsiab Lus: Reformation of old building, aboriginal arts, natural habitat, sustainable design, residential design
Thev Naus Laus Zis Tsim Khoom: Cement, Glass, driftwood, Terracotta tiles, Ceramic Tiles, Metal pieces, Wood crafts
Kev Sib Tw Tsim Qauv: The casting of the cement walls is a major challenge during the construction process. As the overall space has to maintain the original appearance of the cement mortar, the casting needs to be completed in very limited time and parts of the wall surface that contain totem design with lines and uneven corners have all increased the difficulty of the application.
Kev Tshawb Fawb: The facade of the old building is covered with traditional, non porous iron gates and iron windows. Openings on both the front and rear sides of the building are increase ventilation, while introducing greeneries to regulate microclimate. The reconstruction and design have revolved around the existing building structures which reflect local culture and respond to the surrounding context. The use of raw materials for decorations and recycled waste timber made furniture revitalize the old space.
Kev Txhawb Siab: The site is situated in Hengchun Peninsula in Southern Taiwan which is rich in verdant scenery and aboriginal settlement. Since the client is involved in the creation of aboriginal arts and crafts, the initial concept of the spatial characters is hence inspired by the stone slab house and the ecological characteristic, utilized sustainable materials and construction methods to sustain the architecture, while integrating aboriginal cultures and arts elements into the design.
Lub Sij Hawm Ua Hauj Lwm: The project is completed in June, 2018 in Pingtung City, Taiwan.
Txheej Txheem Ua Hauj Lwm: The original windows are too small, and the stairs located in the center of the house leads to poor internal ventilation and insufficient natural lighting. After the transformation, the original windows are replaced with glass walls and high-ceiling design and skylights are introduced. The interior staircase that obstructed the spatial connections and circulations is removed and replaced with a more porous, single stringer staircase at the end of the building to allow an open, unobstructed internal layout.
Cov Tswv Cuab Pab: Designer: Tsai Li Hsu
Designer: Lin Cheng Chuan
Kev Qhuas Duab: image #1 : Mei De Advertisement Design Photography, 2019
image #2 : Mei De Advertisement Design Photography, 2019
image #3 : Mei De Advertisement Design Photography, 2019
image #4 : Mei De Advertisement Design Photography, 2019
image #5 : Mei De Advertisement Design Photography, 2019