Skip to content
Yinyun Enstalasyon Atistik An Seramik by Fabcraft Design Lab

Yinyun Enstalasyon Atistik An Seramik by Fabcraft Design Lab is a highly esteemed winner of the very prestigious 2020 A' Design Award Bwonz in Enpresyon 3D Competition Category.


BwonzEnpresyon 3D· 2020

Yinyun Enstalasyon Atistik An Seramik

by Fabcraft Design Lab

Client: Fabcraft Design Lab

A' Design Award Bwonz Winner in Enpresyon 3D Category

Colors

Email this page

The Design

About Yinyun Enstalasyon Atistik An Seramik

Yinyun se yon enstalasyon atistik an seramik ki konpoze de 85 inite inik ki enprime an 3D. Yo te itilize algoritm konsepsyon jeneratif pou ekstrè done elektrik yo epi pou vizyalize done yo sou chak inite, ansanm sa kreye yon efè gradyan. Inite yo te fabrike atravè enpresyon 3D an seramik, lè yo itilize yon melanj pòslèn blan ak sann chabon ki resikle nan yon plant elektrik. Pwosesis enpresyon an tou kreye yon relye detaye sou sifas chak pyès. Pa gen de inite ki menm jan. Enstalasyon an plase pou tout tan nan yon sal ekspozisyon nan Taipei, Taiwan.

The Recognition

About the A' Design Award Bwonz

Yinyun Enstalasyon Atistik An Seramik se yon ganyan A' Design Award Bwonz, yon rekonesans ki gen anpil prestij yo bay design ekselan ki make pa kreyativite, enjenyozite ak finès. Ganyan Bwonz yo se objè ki abil anpil e ki kreyatif nan fason ki frape, ki otantifye gwo eksperyans, imajinasyon ak debouyaj designer yo. Yo atann Yinyun Enstalasyon Atistik An Seramik pou se yon objè anpil moun estime, admire e renmen, ki pwofesyonèl e inovatè nan fason remakab. Design sa a ki ganyen A' Design Award Bwonz enkòpore pi bon pratik nan atizay, syans, design ak teknoloji, e li ekselan pou atansyon li bay detay. Yinyun Enstalasyon Atistik An Seramik satisfè bezwen yon fason espledid, li touche dezi, li chame santiman e li atire kiryozite.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Dimensions & Packaging
Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Tags
ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Production Technology
The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Design Challenge
In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Research
The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Inspiration
The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Project Duration
The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Operation Flow
The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Team Members
Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Image Credits
Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab

Sponsored

Explore Beyond Designers.org

Discover products, services and opportunities from our advertising partners.

Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Nominate