Dizayn Pardis Kahneh Apatman Rezidansyèl pa Nima Keivani se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2021 A' Design Award Bwonz nan Kategori Konpetisyon Achitekti.
BwonzAchitekti· 2021
Pardis Kahneh Apatman Rezidansyèl
pa Nima Keivani
Kliyan: Keivani Architects
Gayan A' Design Award Bwonz nan Kategori Achitekti
Gayan Pri Verifye
Verifye Estati Pri pou #104052Konsepsyon an
Konsènan Pardis Kahneh Apatman Rezidansyèl
Bilding 9 etaj sa a enspire pa jaden vertikal istorik Pèsan yo. Fasad la se yon konbinezon yon sifas senp ki anveloppe konplètman yon volim lè l fè yon koupe seksyon dyagonal. Sifas la se yon treyi an bwa ak yon konsepsyon motif ki enspire metaforikman pa sèd la, treyi dinamik sa a tèlman fleksib ke itilizatè yo ka louvri l oswa fèmen l pou ajiste vi prive. Pandan yon lòt sifas la totalman kouvri ak pyè tirkwaz, gen yon ti jaden nan vestibil la ak nan lakou dèyè a ki sanble ak yon lakou anfonse epi gen yon jaden sou twa ak pyebwa.
Rekonesans lan
Konsènan A' Design Award Bwonz
Pardis Kahneh Apatman Rezidansyèl se yon ganyan A' Design Award Bwonz, yon rekonesans ki gen anpil prestij yo bay design ekselan ki make pa kreyativite, enjenyozite ak finès. Ganyan Bwonz yo se objè ki abil anpil e ki kreyatif nan fason ki frape, ki otantifye gwo eksperyans, imajinasyon ak debouyaj designer yo. Yo atann Pardis Kahneh Apatman Rezidansyèl pou se yon objè anpil moun estime, admire e renmen, ki pwofesyonèl e inovatè nan fason remakab. Design sa a ki ganyen A' Design Award Bwonz enkòpore pi bon pratik nan atizay, syans, design ak teknoloji, e li ekselan pou atansyon li bay detay. Pardis Kahneh Apatman Rezidansyèl satisfè bezwen yon fason espledid, li touche dezi, li chame santiman e li atire kiryozite.
Dèyè Konsepsyon an
Dosye Laprès
Kredi, manm ekip ak detay teknik konseptè a bay.
- Pwopriyete Inik
- This building is almost a complete example of house architecture considering residential atmosphere with regard to space psychology. This has tried to revive the missing architecture of hanging gardens in a modern style. This way, a different dynamism of building is seen all over the construction. The facade can be reshaped continuously therefore; the visitor will face a new shape of the building. This is a type of design for a modern lifestyle, but it is conscious of Iranian identity.
- Dimansyon & Anbalaj
- Field area 415 square meters (33 meters of length, 12.5 meters of Width), each floor area is 265 square meters, total built area 2450 square meters, the buildings Height 24.5 meters.
- Etikèt
- Residential Architecture, Pardis Khaneh, Wooden Facade, Iranian House, Residential Apartment, Iranian Architecture, Green Apartment, Hanging Garden, Green Facade, Bagh, Nima Keivani, Keivani Architects.
- Teknoloji Pwodiksyon
- The main facade is consisting of three main materials: thermos wood for window shading devise, turquoise Stone facing for the main facade and exposed concrete as a Complementary Neutral material used in entrance, The detail of wood panels is originally designed and all the wooden frames were cut and bolted under the supervision of the design team in the place. each panel has a steel frame covered by wooden finishing. Which not only can move linearly in rails but also can have hinge rotation. As mentioned the occupants are free to move and rotate the panels which make it an interactive, flexible, dynamic facade.
- Defi Dizayn
- importance challenge of the design was its attention to forgotten Iranian architecture concealing the identity of the region. The identity which must be introduced in modern form today. Traditional Architectural elements are not seen in this building and even the used materials are not similar to their traditional patterns. But the applied simplicity and harmony in its architecture and modernized traditional construction causes the resident finds himself in a modern house but with traditional feelings and atmosphere.
- Rechèch
- The design team has so despite the study of historical aspects of Iranian garden architecture, also analyzed Persian garden in Iranian miniature paintings. In many cases, the gardens in miniature were mostly applied to illustrate the paradise on earth and that is why the word Pardis derives from paradise.So pardis khane is a type of residential building that is designed for the modern lifestyle, but it is conscious of Iranian identity.
- Enspirasyon
- This project located between two public gardens. In order to link two gardens, the whole project was designed as a connective vertical garden, which has been drawn its design inspiration from Persian gardens, specially Baghe Takht in Shiraz. The mentioned garden was a vertical one laid out on multiple terraces, and in much the same shape and form as Hanging Gardens of Babylon. The wooden surface has a special pattern design inspired by the growth of plants leaves, metaphorically the cedar.
- Dire Pwojè
- The building designed in February 2013 in Tehran and the construction works finished in September 2017 in Tehran.
- Fliks Operasyon
- Like the main planting pattern of hanging garden, there have been cedar trees on the facade planted on the 1st, 2nd and 5th floor. The dynamic wooden lattice is so flexible that can be opened or closed by users to adjust privacy. Moreover, the play of sunlight during sunrise and also sunset creates a soothing atmosphere in the home originated from Iranian traditional architecture which makes it not Aesthetically but also climatically responsive building.
- Patant
- Copyrights belong to Keivani Architects, 2017
- Manm Ekip
- Architect in charge and Supervisor: Nima Keivani
Architect in charge: Sina Keivani
Client: Arsess Co
Contractor: Mehdi Khosravani
Interior Design Team: Ladan Mostofi, Akbar Khalaj
Graphic: Sahar Najafi
Project Manager: Rouhollah Amini
Construction Consultant: Nima Keivani
BIM manager: Sina Keivani - Kredi Imaj
- Image #1: Photographer Deed studio, facade, 2018. Image #2: Photographer Deed studio, facade, 2018. Image #3: Photographer Deed studio, Facade, 2018. Image #4: Photographer Deed studio, Lobby, 2018. Image #5: Photographer Deed studio, Entrance, 2018.
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