Dizayn Past at Last Mòd Dirab pa Tihana Miksa se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2021 A' Design Award Ajan nan Kategori Konpetisyon Mòd.

AjanMòd· 2021

Past at Last Mòd Dirab

pa Tihana Miksa

Kliyan: Tihana Mikša

Gayan A' Design Award Ajan nan Kategori Mòd

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Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Past at Last Mòd Dirab

Aksan nan konpozisyon rad yo mete sou tèksti rich ak jwèt ansanm ak kolorasyon inegal. Kòm yon konsekans, rad yo menm yo se fòm simetrik, senp e fèmen san okenn entèvansyon egzizan nan estrikti a. Objè sa yo egzamine aspè vizyèl la, taktilite, matyalite, mouvman vivan ak achitèktonik twal yo. Koulè yo gen yon entansite ki ba e yo achomatik, esepte wouj yo ki palpite nan espèk pal sa a.

Rekonesans lan

Konsènan A' Design Award Ajan

Past at Last Mòd Dirab se yon ganyan A' Design Award Ajan, yon rekonesans ki gen yon prestij enmans yo bay design nivo siperyè, bèl anpil e enpresyonan. Ganyan Ajan yo se travay ki trè briyan e ki trè kreyatif ki montre ekspètiz, talan ak finès designer yo. Yo atann Past at Last Mòd Dirab pou se yon bèl travay modèl, remakab nan pwofesyonalis e ki gen gwo inovasyon. Design sa a ki ganyen A' Design Award Ajan se yon envansyon trè remakab, admire ki pote benefis e ki pouse limit atizay, syans, design ak teknoloji. Past at Last Mòd Dirab se yon kreyasyon anpil moun jalou ki reveye dezi, ki pote santiman pozitif e ki limen sipriz ak mèvèy.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Etikèt: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Teknoloji Pwodiksyon: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Defi Dizayn: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Enspirasyon: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Dire Pwojè: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Kredi Imaj: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.