Fujifilm Clay Studio2 Desen Enteryè Biwo by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Desen Enteryè Biwo by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award Bwonz in Enteryè Competition Category.

BwonzEnteryè· 2022

Fujifilm Clay Studio2 Desen Enteryè Biwo

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award Bwonz Winner in Enteryè Category

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Colors

The Design

About Fujifilm Clay Studio2 Desen Enteryè Biwo

Clay Studio 2 se yon enteryè biwo ki fèt pou travay konsepsyon pwodwi ak konsepsyon vizyèl nan Tokyo. Espas 300 mèt kare a te planifye kòm yon anviwonman kalm pou konsantrasyon, kontrèman ak biwo ki konsantre sitou sou kominikasyon. Beton, penti ak planch siman bwa yo rete san yo pa trete, kidonk chanm nan sanble li fèt sèlman ak travès ak poto. Amenajman jaden ak peyizaj natirèl yo fòme background la epi yo pote chanjman sezonye nan espas la. Biwo yo fè fas sou deyò, epi yon tab sèt mèt pèmèt reyinyon kout pandan y ap kenbe distans ant moun.

The Recognition

About the A' Design Award Bwonz

Fujifilm Clay Studio2 Desen Enteryè Biwo se yon ganyan A' Design Award Bwonz, yon rekonesans ki gen anpil prestij yo bay design ekselan ki make pa kreyativite, enjenyozite ak finès. Ganyan Bwonz yo se objè ki abil anpil e ki kreyatif nan fason ki frape, ki otantifye gwo eksperyans, imajinasyon ak debouyaj designer yo. Yo atann Fujifilm Clay Studio2 Desen Enteryè Biwo pou se yon objè anpil moun estime, admire e renmen, ki pwofesyonèl e inovatè nan fason remakab. Design sa a ki ganyen A' Design Award Bwonz enkòpore pi bon pratik nan atizay, syans, design ak teknoloji, e li ekselan pou atansyon li bay detay. Fujifilm Clay Studio2 Desen Enteryè Biwo satisfè bezwen yon fason espledid, li touche dezi, li chame santiman e li atire kiryozite.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita