Fading Traditional Trades and Crafts Liv pa Jesvin Yeo

Dizayn Fading Traditional Trades and Crafts Liv pa Jesvin Yeo se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2022 A' Design Award Lò nan Kategori Konpetisyon Enprime.

LòEnprime· 2022

Fading Traditional Trades and Crafts Liv

pa Jesvin Yeo

Gayan A' Design Award Lò nan Kategori Enprime

659,971

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Verifye Estati Pri pou #140455

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan Fading Traditional Trades and Crafts Liv

Liv la sèvi ak repouse 3D pou dokimante ak mete aksan sou detay yo konplike nan travay yo metikuleu fabrike pa atizan tradisyonèl Singaporean, soti nan bato dragon an papye ak bijou Endyen ak soulye Peranakan pèl. Paj koulè yo senbolize monte ak tonbe nan atizana tradisyonèl yo, kòm endistri a kòmanse peryòd devlopman li (mat) nan laj lò li yo (jòn) epi piti piti fennen (blan). Yo tache yon lakre pastel pou lektè yo fè lonbraj paj yo epi dekouvri atizay ki pèdi nan eritaj kiltirèl immatériel sa a nan Singapore, paske se sèlman nou moun ki ka pwoteje, sipòte epi pote l tounen.

Rekonesans lan

Konsènan A' Design Award Lò

Fading Traditional Trades and Crafts Liv se yon ganyan A' Design Award Lò, yon rekonesans imans prestijye yo bay design premye klas, mèvèye e eksepsyonèl. Ganyan Lò yo se kreyasyon ki trè inovatè, vizyonè e ki briye ak bèl bagay, ki reflete jeni, sajès ak mèt konpetans designer yo. Yo atann Fading Traditional Trades and Crafts Liv pou se yon envansyon ki fè anpil lwanj, ki bay tandans e monimantal ki delivre yon valè san parèy. Design sa a ki ganyen A' Design Award Lò se yon pwojè espektakilè, respekte ki pote anpil benefis e ki pouse limit atizay, syans, design ak teknoloji. Fading Traditional Trades and Crafts Liv kreye santiman dezi ki entans, li reveye pasyon, li ankouraje kreyativite e li fasine nou.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: What makes this book unique is the use of the 3D embossing technique, not just embossing, to highlight the intricate details of the works meticulously crafted by traditional Singaporean artisans, from dragon boats to Peranakan beaded shoes. With the pastel chalk, the book encourages reader engagement by colouring pages to discover the lost art of our ancestors, as only we humans can help safeguard, support and bring attention to the significance of this intangible cultural heritage.
Dimansyon & Anbalaj: Book Box: 145mm (width) x 305mm (height) x 52mm (thickness)
Book Box Sleeve: 540mm (width) x 220mm (height)
Book: 140mm (width) x 298mm (height) x 40mm (thickness)
Book Sleeve: 530mm (width) x 298mm (height)
Inside pages (accordion fold): 4350mm (width) x 290mm (height)
3 Hard Covers: Inside Cover, Front and Back Covers
Etikèt: Traditional Artisans, Traditional Crafts, Cultural Artifacts, Intangible Cultural Heritage
Teknoloji Pwodiksyon: The making of this book explores how to combine traditional book forms with new technologies, make traditional book forms more interesting through unusual structures and visual stimuli, and push the boundaries of book design. The book is of significance to the design field because it not only records the traditional crafts for future designers to explore and contribute to the local craft landscape but also examines book design as a form of vanishing traditional craft.
Defi Dizayn: The project challenges were facing the covid-19 pandemic and the difficulty of making 3D embossed plates. Production of the book was delayed for 6 months due to the intricateness of the artefacts and further halted for 8 months due to the spread of the coronavirus. The team worked closely with the production houses to ensure things could move forward smoothly, and we are grateful that all challenges were managed well in the end.
Rechèch: Given the scarcity of available resources, the approach included analysing oral history data collected by the National Archives of Singapore under the Vanishing Trades project in the 1980s and conducting fieldwork with current and retired artisans to understand the current situation and future substantiate the findings. The aim of the project is to document Singapore lost or vanished traditional crafts so that future generations can learn about them even after they disappear.
Enspirasyon: Working with traditional artisans, I learned that when our ancestors came to Singapore in the 19th century from Malaya, China and India, they brought their values and livelihoods with them. These livelihoods include various forms of traditional crafts that have largely enriched Singapore cultural heritage. Thus, it is essential to record these crafts, some of which have vanished or will vanish within the next 20 years, and trace their place to the roots of their meaningful beginnings.
Dire Pwojè: The project started in May 2015 in Singapore and finished production in December 2021. The book is on sale from March 2022.
Fliks Operasyon: The colour pages of the book symbolize the rise and fall of traditional crafts, as the industry begins its developmental period (dull colour) to its golden age (yellow colour) and gradually fades (white colour). The pastel chalk is attached for readers to shade the pages and discover the lost arts of this intangible cultural heritage of Singapore.
Patant: Copyrights belong to Jesvin Yeo, 2021
Manm Ekip: Jesvin Yeo
Alvin Ng.
Kredi Imaj: All images: Photographer Victor Gui, 2021 and 2022