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Reborn Vaz An Bwa pa Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Dizayn Reborn Vaz An Bwa pa Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2023 A' Design Award Fè nan Kategori Konpetisyon Bozar.


FèBozar· 2023

Reborn Vaz An Bwa

pa Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

Kliyan: Tainan University of Technology/Product Design Deparment

Gayan A' Design Award Fè nan Kategori Bozar

15,257

Koulè

Konsepsyon an

Konsènan Reborn Vaz An Bwa

Kreye valè pou jete ak rès bwa ki soti nan endistri mèb lè l sèvi avèk teknik enkruste metal sou yon sifas bwa òganikman esferik. Enspire pa fòm lavi nan k ap grandi grenn, fil an kwiv entegre sou grenn bwa a, epi pwolonje soti kòm fòm nan rasin yo grandi pou sipòte vaz an bwa. Modèl la gen itilizasyon fonksyonèl kòm rès bwa yo te fè nan yon veso pou plante, ki sanble ak yon grenn pouse, senbolize sik lavi a. Fòm rasin metal k ap koule a bay yon sans vitalite, ki sanble ak yon òganis k ap deplase.

Rekonesans lan

Konsènan A' Design Award Fè

Reborn Vaz An Bwa se yon ganyan A' Design Award Fè, yon rekonesans ki gen prestij yo bay bon design ki satisfè egzijans pwofesyonèl ak endistriyèl yo atann de kreyasyon ki byen fèt. Ganyan Fè yo montre gwo konpetans, espesyalizasyon wo, konpreyansyon ekspè ak kapasite kreyatif kreyatè yo. Yo atann Reborn Vaz An Bwa pou se yon kreyasyon anpil moun estime, admire e renmen ki pratik e inovatè. Design sa a ki ganyen A' Design Award Fè entegre pi bon pratik sektè a e li gen karakteristik teknik konpetan ki lye ak konnesans pratik ak talan. Yo respekte Reborn Vaz An Bwa pou jèntan li e li fèt pou bay amelyorasyon kalite lavi ki ede fè mond lan vin yon pi bon kote.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik
The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
Dimansyon & Anbalaj
Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
Etikèt
Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
Teknoloji Pwodiksyon
Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
Defi Dizayn
To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
Rechèch
Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
Enspirasyon
We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
Dire Pwojè
The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
Fliks Operasyon
The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
Manm Ekip
Instructor: ChungSheng Chen
Designer:ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
Kredi Imaj
Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng

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