Dizayn House In Mise Kay pa Tomomi Omachi se yon gayan ki gen anpil estim nan konpetisyon trè prestijye 2026 A' Design Award Bwonz nan Kategori Konpetisyon Achitekti.

BwonzAchitekti· 2026

House In Mise Kay

pa Tomomi Omachi

Gayan A' Design Award Bwonz nan Kategori Achitekti

5,944

Gayan Pri Verifye

Verifye Estati Pri pou #182293

Vizite Sit la Gade sou A' Design Award Kominike Laprès Badj Prim

Koulè

Konsepsyon an

Konsènan House In Mise Kay

House In Mise se yon renovasyon yon rezidans riral tradisyonèl Japonè ki sitiye nan yon vale rivyè nan Mitsuse, Prefekti Saga. Pwojè a restore klète espasyal estrikti an bwa orijinal la pandan l ap rekonekte lavi chak jou ak forè ki antoure a ansanm ak dlo k ap koule a. Ouvèti ki plase avèk anpil swen, gwo rebò twati ki fon, ak espas tranzisyon an kouch pèmèt limyè, lonbraj, ak chanjman sezon yo fòme anviwònman enteryè a. Materyo ki soti nan zòn nan, tankou sèd, sipre hinoki, wozo, granit, ak shoji ki fèt alamen, ranfòse konpatibilite klimatik ak otantisite materyèl la.

Rekonesans lan

Konsènan A' Design Award Bwonz

House In Mise Kay se yon ganyan A' Design Award Bwonz, yon rekonesans ki gen anpil prestij yo bay design ekselan ki make pa kreyativite, enjenyozite ak finès. Ganyan Bwonz yo se objè ki abil anpil e ki kreyatif nan fason ki frape, ki otantifye gwo eksperyans, imajinasyon ak debouyaj designer yo. Yo atann House In Mise Kay pou se yon objè anpil moun estime, admire e renmen, ki pwofesyonèl e inovatè nan fason remakab. Design sa a ki ganyen A' Design Award Bwonz enkòpore pi bon pratik nan atizay, syans, design ak teknoloji, e li ekselan pou atansyon li bay detay. House In Mise Kay satisfè bezwen yon fason espledid, li touche dezi, li chame santiman e li atire kiryozite.

Dèyè Konsepsyon an

Dosye Laprès

Kredi, manm ekip ak detay teknik konseptè a bay.

Pwopriyete Inik: This project is a renovation of a traditional Japanese rural house that reorients daily living toward forest and river through spatial layering, light modulation, and material authenticity. By retaining the existing timber structure and integrating engawa-like thresholds with locally sourced materials, it achieves environmental continuity, sensory depth, and long-term sustainability.
Dimansyon & Anbalaj: Renovation of an existing traditional Japanese timber residence located in Mitsuse, Saga Prefecture, Japan. The project preserves the original wooden structural frame while introducing new timber openings, shoji-lined windows, and expanded terraces. Materials include local cedar columns, knot-free hinoki flooring, reed ceilings, and granite paving. Passive environmental strategies include cross-ventilation, deep eaves, and interior–exterior continuity to moderate seasonal climate conditions.
Etikèt: Architectural renovation, Residential architecture, Adaptive reuse, Japanese architecture, Engawa reinterpretation, Landscape-integrated design, Climate-responsive architecture, Material authenticity
Teknoloji Pwodiksyon: The project was realized through adaptive reuse of an existing post-and-beam timber structure, retaining approximately 80% of the original frame. Traditional Japanese carpentry and joinery were combined with precise contemporary detailing to recalibrate openings, deep eaves, and spatial thresholds. Locally sourced cedar, hinoki cypress, reed, granite, and handcrafted shoji paper were integrated to ensure climatic compatibility, material longevity, and seamless interior–exterior continuity.
Defi Dizayn: The primary challenge was reconciling contemporary living requirements with the preservation of a deteriorated traditional timber structure whose original spatial coherence had been lost through incremental alterations. Structural limitations, regulatory constraints on renovation, and climatic demands of a humid mountain valley required precise intervention. The project demanded selective demolition, careful structural repair, and the reinterpretation of traditional spatial principles to restore environmental continuity without erasing historical character.
Rechèch: Type of Research: Contextual architectural design research.
Research Objectives: To explore how traditional Japanese architecture can reconnect daily life with nature.
Methodology: Long-term site observation and iterative renovation design.
Data Collection and Tools: Climate analysis, spatial studies, material testing, and architectural drawings.
Participants: Architect and client collaboration over five years.
Results: A restored house integrating light, river, forest, and seasonal change.
Insights and Impact: Demonstrates how culturally rooted renovation can improve well-being and sustainable living.
Enspirasyon: The project was inspired by traditional Japanese residential architecture, where light, shadow, and seasonal change shape daily life, and by the site’s forested river landscape in Mitsuse, Saga Prefecture. The client’s desire for refuge from urban intensity prompted a research-based approach to spatial layering, engawa reinterpretation, and material authenticity, integrating climate-responsive design and local craftsmanship to restore continuity between dwelling and nature.
Dire Pwojè: The project is located in Mitsuse, Saga Prefecture, Japan, within a mountainous river valley in northern Kyushu. Design development and construction were carried out as a comprehensive renovation process, with the project completed in 2025 following an extended period of site analysis, design coordination, and on-site craftsmanship.
Fliks Operasyon: The house is experienced through a gradual sequence between interior and nature. Large sliding openings connect the lounge, dining area, and guest spaces to terraces facing the river and surrounding forest. Light, wind, and seasonal landscape continuously transform the atmosphere throughout the day. The design encourages slow movement and quiet observation, allowing daily life to unfold in direct relationship with natural sound, light, and climate.
Patant: Architectural design copyright: Tomomi Omachi / tou., 2026. Photographs copyright: Tatsuya Tabii, 2026.
Manm Ekip: Tomomi Omachi
Kredi Imaj: Image #1: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #2: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #3: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #4: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #5: Photographer Tatsuya Tabii, House in Mise, 2025.