Fujifilm Clay Studio2 Desain Interior Kantor by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Desain Interior Kantor by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award Perunggu in Desain Ruang Interior dan Pameran Competition Category.

PerungguInterior· 2022

Fujifilm Clay Studio2 Desain Interior Kantor

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award Perunggu Winner in Interior Category

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Colors

The Design

About Fujifilm Clay Studio2 Desain Interior Kantor

Clay Studio 2 adalah sebuah interior kantor yang dirancang untuk pekerjaan desain produk dan desain visual di Tokyo. Ruang seluas 300 meter persegi ini ditata sebagai suasana yang tenang untuk berkonsentrasi, berbeda dengan kantor-kantor yang lebih berfokus pada komunikasi. Beton, cat, dan papan wood cement dibiarkan tanpa pengolahan lebih lanjut, sehingga ruangan tampak seolah hanya tersusun dari balok dan kolom. Lansekap taman dan pemandangan alam membentuk latar belakang serta menghadirkan perubahan musim ke dalam ruang. Meja-meja kerja diarahkan menghadap ke luar, dan sebuah meja sepanjang tujuh meter memungkinkan pertemuan singkat sekaligus menjaga jarak antarpenggunanya.

The Recognition

About the A' Design Award Perunggu

Fujifilm Clay Studio2 Desain Interior Kantor adalah pemenang A' Design Award Perunggu, pengakuan yang sangat bergengsi yang diberikan kepada desain luar biasa yang dicirikan oleh kreativitas, kecerdikan, dan ketajaman. Pemenang Perunggu adalah artefak yang sangat terampil dan sangat kreatif yang membuktikan pengalaman luas, imajinasi, dan kelihaian para desainernya. Fujifilm Clay Studio2 Desain Interior Kantor diharapkan menjadi objek yang sangat dihargai, dikagumi, dan dicintai, sangat profesional dan inovatif. Desain pemenang A' Design Award Perunggu ini menyertakan praktik terbaik dalam seni, sains, desain, dan teknologi, dan sangat baik dalam perhatiannya pada detail. Fujifilm Clay Studio2 Desain Interior Kantor memuaskan kebutuhan dengan indah, menyentuh keinginan, memikat perasaan, dan menarik rasa ingin tahu.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita