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Plus 81 Bar, Klub Malam by Takahiro Todoroki

Plus 81 Bar, Klub Malam by Takahiro Todoroki is a highly esteemed winner of the very prestigious 2026 A' Design Award Perunggu in Desain Ruang Interior dan Pameran Competition Category.


PerungguInterior· 2026

Plus 81 Bar, Klub Malam

by Takahiro Todoroki

Client: Engine, Inc

A' Design Award Perunggu Winner in Interior Category

Colors

The Design

About Plus 81 Bar, Klub Malam

Plus 81 adalah interior bar dan klub malam yang ditempatkan di dalam sebuah pusat perbelanjaan tua. Fasadnya menyerupai area konstruksi sementara yang dilapisi surat kabar Jepang, dan pintu masuknya disembunyikan di balik sebuah toko figur, menciptakan transisi bertahap menuju bagian dalam. Sebuah bar di bagian tengah menjadi jangkar tata letak ruang, sementara zona-zona di sekelilingnya mengakomodasi area santap, tempat duduk lounge, karaoke, dan pertemuan privat. Plafon bergrid dengan pencahayaan RGB menjawab keterbatasan ketinggian plafon serta menambah ritme visual. Materialnya meliputi baja galvanis seng, cermin etsa, dan lantai resin dengan tipografi grafis.

The Recognition

About the A' Design Award Perunggu

Plus 81 Bar, Klub Malam adalah pemenang A' Design Award Perunggu, pengakuan yang sangat bergengsi yang diberikan kepada desain luar biasa yang dicirikan oleh kreativitas, kecerdikan, dan ketajaman. Pemenang Perunggu adalah artefak yang sangat terampil dan sangat kreatif yang membuktikan pengalaman luas, imajinasi, dan kelihaian para desainernya. Plus 81 Bar, Klub Malam diharapkan menjadi objek yang sangat dihargai, dikagumi, dan dicintai, sangat profesional dan inovatif. Desain pemenang A' Design Award Perunggu ini menyertakan praktik terbaik dalam seni, sains, desain, dan teknologi, dan sangat baik dalam perhatiannya pada detail. Plus 81 Bar, Klub Malam memuaskan kebutuhan dengan indah, menyentuh keinginan, memikat perasaan, dan menarik rasa ingin tahu.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
This project introduces a Neo Tokyo Speakeasy hidden within an aging mall, blending into its surroundings with a facade resembling a temporary construction site clad in Japanese newspapers. A concealed entrance through a figure shop creates a narrative transition into a vibrant interior. The design contrasts secrecy and spectacle, revealing a dynamic nightlife space. A grid ceiling with RGB lighting compensates for low height while generating visual rhythm, transforming spatial limitations into an immersive experience.
Dimensions & Packaging
Total area: 240 sqm. Ceiling height: 2355 mm. Structure: steel frame. Materials: wood panels, plaster with aggregates, etched mirrors, zinc-galvanized steel, resin, LED neon. Ceiling: timber frame with paint and random zinc panel cladding. Floor: pigmented mortar with urethane coating and kanji graphics. Walls: wood panels, plaster, mirrors, printed wallpaper. Lighting: 50 lux ambient, 2700K. Equipment includes projection mapping floor, digital display columns, and Void Acoustics sound system.
Tags
Club, Bar, Lounge, Speakeasy, Japanese, Philippines, Anime, Manga
Production Technology
The spatial design integrates club, bar, dining, and karaoke functions through strategic zoning and circulation planning. A central bar anchors the layout, while surrounding areas enable continuous movement. Acoustic performance was optimized by avoiding flat surfaces and applying geometric wall patterns. Materials include zinc-galvanized steel with exposed rivets, etched mirrors with integrated RGB lighting, and resin-coated flooring with graphic typography. Construction methods were systematized to match local skill levels, supported by detailed drawings and modular fabrication techniques.
Design Challenge
The main challenge was designing a high-impact nightlife space within the constraints of a low ceiling and limited footprint in an aging commercial building. Additionally, the complexity of the design led many contractors to decline participation, and initial costs exceeded the budget. These issues were addressed by simplifying construction systems and clearly communicating design intent through detailed drawings. Continuous adjustments and rework were required to achieve the intended quality under inconsistent construction conditions and scheduling delays.
Research
This is an applied interior and experience design research. The objective was to create a multifunctional nightlife venue within a low ceiling and limited footprint by reinterpreting Japanese subculture. The methodology integrated zoning, atmospheric design, acoustic control, and narrative sequencing over a 3-month design and 7-month construction period. Data were gathered through user scenarios, site constraints, and mock-ups using drawings, 3D models, lighting tests, and material studies. The result enhanced user engagement and commercial performance.
Inspiration
The design is inspired by Japan 1980s and 1990s subculture and bubble era nightlife, reinterpreted in a contemporary context. It draws from manga, neon, and retro materials to evoke nostalgia and energy. The concept also reflects the idea of multifunctional entertainment spaces, similar to karaoke culture in Japan. Given the limited scale, the project aims to maximize usage beyond nightlife by creating zones adaptable for dining, socializing, and private gatherings, merging cultural memory with modern urban lifestyles.
Project Duration
This project began its design phase in Japan in 2023 and opened in Manila, Philippines, in May 2025.
Operation Flow
The venue operates as a lounge bar and restaurant on weekdays and transforms into a nightclub on weekends. It accommodates diverse user needs, including dancing, dining, drinking, and karaoke. Guests enter through a hidden route, gradually building anticipation before reaching the main space. The layout encourages exploration, allowing users to move freely between zones such as bar counter, lounge seating, and private rooms. This layered experience creates excitement and discovery, making each visit unique and engaging.
Image Credits
Photographer : Katsumi Hirabayashi

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