Bronz Ime Ụlọ · 2020
On Stage Ọrụ Isi: Nhazi Ngosipụta Ụlọ Ihe Ncheta
by Skevi Farazi
- Ihe Nrite A' Design Award nke Bronz 2020 in Ime Ụlọ
- CLIENT: THOC & Limassol Municipality
- Estimated Number of Design Views: 12,129
- Verification code 5123A36AB1 · Verify this award
Colors
About On Stage Ọrụ Isi: Nhazi Ngosipụta Ụlọ Ihe Ncheta
Ederede Akwụkwọ: On Stage bụ ngosipụta na-adịgide adịgide nke Ụlọ Ihe Ncheta Egwuregwu Ihe Nkiri nke Cyprus. Ngosipụta a na-enyocha akụkụ dị iche iche nke ihe nkiri site n'ụzọ mmetụta ahụmịhe, ebe oke dị n'etiti ilele ihe na ime ihe nkiri jikọtara ọnụ. Ọdịdị ya na-agbasa n'akụkụ atọ, dịka ọ dị n'usoro egwuregwu ihe nkiri. Akụkọ Ihe Mere Eme bụ ụzọ na-arụ ọrụ dịka nzacha nke ihe ọmụma. Ngalaba Ndị Sonyere na-egosi akụkụ nke mmepụta ihe nkiri nke ndị na-ekiri anaghị amakarị. Ihe Nkiri bụ ngwụcha ma kpughee ihe si na ya pụta. Ihe ngosi diagonal dị n'etiti oghere ahụ na-ekewa ohere ahụ ma na-eduzi ndị ọbịa.
About the Ihe Nrite A' Design Award nke Bronz
On Stage Ọrụ Isi: Nhazi Ngosipụta Ụlọ Ihe Ncheta meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na On Stage Ọrụ Isi: Nhazi Ngosipụta Ụlọ Ihe Ncheta ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. On Stage Ọrụ Isi: Nhazi Ngosipụta Ụlọ Ihe Ncheta na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.
Press Kit
- Unique Properties
- 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
- Tags
- theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
- Production Technology
- A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time. - Design Challenge
- The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested. - Research
- An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection. - Inspiration
- Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays. - Project Duration
- 2010-2012
Limassol - Cyprus - Image Credits
- Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012
