Wụga na ọdịnaya
The Last Blooming Multifunctional Akwa nke Qixin Wu

Ihe emepụtara bụ The Last Blooming Multifunctional Akwa nke Qixin Wu bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Akwa, Ụdị Akwa, Ụdị Elu, Ụkpụrụ na Akwa Uwe.


IgweAkwa· 2023

The Last Blooming Multifunctional Akwa

nke Qixin Wu

Onye Ahịa: EchoWu Design Studio

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Akwa

37,954

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #108758

Agba

Nhazi a

Maka The Last Blooming Multifunctional Akwa

Iji ghọta ihe n'ụzọ ezi uche dị na ya, iji gbanwee nkọwa yiri mgbagwoju anya ka ọ bụrụ nchọpụta dị mfe nke mmekọrịta dị n'etiti mmalite na imecha, okooko osisi ndị nwụrụ anwụ na-aghọ ihe bụ isi na-egosipụta na-egbuke egbuke. Ha na-anọgide na-eto eto ma na-egosi mma ikpeazụ. Nkwugharị na-emekọ ihe ọnụ na ebumnuche na-akpali akpali na-eme ka nhazi ahụ pụta ìhè karịa. Uwe akwa okpukpu abụọ, elu bụ chiffon na azụ bụ owu, mepụta mgbanwe na-achọ mgbe ifufe na-abịa. Nlegharị anya nke chiffon na-enye aka na Blooming ikpeazụ mara mma na ihe omimi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

The Last Blooming Multifunctional Akwa meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na The Last Blooming Multifunctional Akwa ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ The Last Blooming Multifunctional Akwa maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche
Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Nha & Mkpuchi
High: 27 inches
Width: 45 inches
Mkpado
Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Teknụzụ Mmepụta
From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Ịma Aka Imepụta
The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Nchọpụta
W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Mkpali
Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Oge Ọrụ
The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Usoro Ọrụ
To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patentị
Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Asụsụ Foto
Qixin Wu

Nkwado

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