Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ nke Hung Teng Hsiao

Ihe emepụtara bụ Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ nke Hung Teng Hsiao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2021

Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ

nke Hung Teng Hsiao

Onye Ahịa: YUAN YE Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #109726

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ

Ederede Akwụkwọ: Tranquil Gathering bụ ime ụlọ oriri Japanese dị na New Taipei City, Taiwan. Nhazi a jikọtara ihe ndị mgbe ochie nke Japan na ihe eji arụ ọrụ nke oge a. Agba osisi na-egbuke egbuke bụ isi ntanetị nke ohere ahụ. Osisi ndị e bipụtara na ụdị grid na-eweta ọdịdị dị ka atọ na nkịtị dabara adaba, ebe grid osisi kwụ ọtọ gbatịrị ruo mpaghara bar. Brik ndị nwere oghere na iko enyo na-ekewa mpaghara dị iche iche ma na-edobe mmetụta nnyefe. E ji polyurethane artificial leather nwere ụdị dị iche iche, dị ka nkume slate, mgbanaka osisi, na agba isi awọ, mechie mgbidi ndị ahụ. Tebụl na oriọna gburugburu na-akọwapụta ọnọdụ ndị dị na ala nke abụọ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Tranquil Gathering Ọrụ Ọhụrụ Isi: Nhazi Ime Ụlọ Oriri na Ọṅụṅụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The whole space is a Japanese restaurant based on a variety of Japanese materials. Adopts multiple modern elements as a collocation gradually, which makes the simple Japanese style modern. Adopts a light wood tone as the main axis of the space and adopts cutting of wooden grid to create a three-dimensional and harmonious contour. The vertical shape of the wooden grid extends to the bar area. Mostly adopts PU simulation material of stone and wood skin as collocations in the space configuration.
Nha & Mkpuchi: Taking into account that customers can have comfortable interactions and gatherings in the space, the design team uses hollow bricks and glass as cutting. Also, the design team sets up functional equipment such as sockets between the floors. On the second floor in the space of the booth, the design team takes reunion as the main idea, using circular elements such as desktops and lamps to present the image of gatherings.
Mkpado: Japanese restaurant, PU simulation leather, Private booth, Bar counter, Japanese style
Teknụzụ Mmepụta: In the use of materials, the design team adopts PU artificial leather in the wall that runs from the first floor to the second floor. Thus, the whole space shows the diverse changes of different materials in the main tone of the Japanese style. Also, the design team takes good advantage of the diversified traits of the PU artificial leather materials, choosing materials that have various textures such as slate, annual rings, grayscales with screws and rivets as the spatial style. The design presents a modern sense with abundant Japanese style.
Ịma Aka Imepụta: In the creation of modern and Japanese style, the design team adopts lots of wooden color elements, such as the cutting of wooden grid ceiling on the first floor of the bar counter and the aisle space. The lines and textures laid out in layers are connected by vertical paving. The wooden grid in the bar counter accompanies hollow brick that extends from the table, presenting the exclusive place for bar counter. Not only does the design has demarcation, but also maintains a sense of extension.
Nchọpụta: The project adopts the concept of Japanese style design. Applies hollow bricks as an element to show the liveliness in the bar area. As the glass extends and opens being the highlight to the overall space, keeps the balance between every fictional area. Layers the space atmosphere with grayscale, wooden materials, and stone materials. They especially feature the second-floor space with PU leather elements and shape the style of dark stone materials, tree rings, and horizontal wood grain.
Mkpali: It is a Japanese style restaurant in this project. In the application of various Japanese elements, the design team adopts elements of modern style. The design team thinks outside the box and gets rid of the traditional Japanese style, they arrange space configuration flexibly in order to present the images of clients interaction and gatherings. They create a flexible and modern sense in a harmonious Japanese dining space. Thus, space shows a unique spatial style based on modern elements.
Oge Ọrụ: The project finished in August 2018 in New Taipei City, Taiwan.
Usoro Ọrụ: In the creation of the Japanese style configuration, the clients hope that the design can present in untraditional ways, so lots of modern materials are used harmoniously such as imitated rust plates with screw rivets, chandeliers with metal elements, stone skin with annual ring pattern, and perspective glass. With different materials, space presents the Japanese and modern style in diverse appearance.
Ndị Otu: Hung-Teng Hsiao
Asụsụ Foto: YUAN YE Interior Design