Tianjin Zarsion Ebe Ngosi Ihe nke RUF Architects

Ihe emepụtara bụ Tianjin Zarsion Ebe Ngosi Ihe nke RUF Architects bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

PlatinumỤlọ Owu· 2021

Tianjin Zarsion Ebe Ngosi Ihe

nke RUF Architects

Onye Ahịa: RUF Architects

Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Ụlọ Owu

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Tianjin Zarsion Ebe Ngosi Ihe

Tianjin Zarsion bụ ebe ngosi ihe e wuru n'akụkụ ngalaba osimiri Yongding dị na Tianjin, China. Atụmatụ ya na-eji ọdịdị dịka mmiri dara adaba nke a dọbara na mkpọdịda n'elu ala ahụ, nke na-eme ka ụzọ site na nsọtụ obodo ruo n'ọnụ ụzọ mbata dị ogologo. Nkuku ụlọ miri emi na elu enyo buru ibu na-emepụta elu ụlọ dị mfe nke na-adị ka ọ na-ese n'elu. Ihe e ji wuo ya bụ isi bụ osisi, nke igwe na-akwado, ebe ogidi osisi red pine 68 gbasapụrụ dịka anwụrụ na-etolite usoro mgbakọ ọkụ dịka nche anwụ. Ogidi osisi asatọ dị n'ime na-enye ohere ka e nwee nnukwu ọnụ ụlọ na-enweghị ogidi. Windo elu ụlọ nke dị ka akwụkwọ osisi ka a haziri ka ọ bụrụ nke ga-eme ka ìhè dị n'ime ụlọ dị nro ma dị jụụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Platinum

Tianjin Zarsion Ebe Ngosi Ihe meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Tianjin Zarsion Ebe Ngosi Ihe na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. Tianjin Zarsion Ebe Ngosi Ihe bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.

As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees.
Nha & Mkpuchi: The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.

The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress.
Mkpado: Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
Teknụzụ Mmepụta: The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.

The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect.
Ịma Aka Imepụta: The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
Nchọpụta: At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
Mkpali: The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.

The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges.
Oge Ọrụ: The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
Usoro Ọrụ: The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.

To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside.
Ndị Otu: RUF Architects
Lead Architect：Qian Mingbo
Design Team：Song Xinhua,Wu Meihong, Rao Zeming, Ji Changshuai
Asụsụ Foto: Photo Credits: Hu Yijie