Daxi Daxi Ememme Omenala Obodo nke BIAS Architects and Associates

Ihe emepụtara bụ Daxi Daxi Ememme Omenala Obodo nke BIAS Architects and Associates bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Mmemme na Ihe Omume.

ỌlaọchaMmemme· 2021

Daxi Daxi Ememme Omenala Obodo

nke BIAS Architects and Associates

Onye Ahịa: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Mmemme

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #123023

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Daxi Daxi Ememme Omenala Obodo

Kemgbe 2018, BIAS ewepụtala ma mejuputa mmemme ime obodo iji nyere obodo Daxi aka ịkwadebe maka emume okpukpe isi nke ebe ahụ. Ọtụtụ mgbe, emume ndị Taiwanese bụ ndị na-adịghị agbanwe agbanwe ma dabere n'ọdịnala ime obodo nke na-ekpebi usoro iwu siri ike. Iji soro ndị obodo mepere emepe kerịta amara nke nkwenye ndị mmadụ, BIAS gbaziri ọdịnala ahụ site na usoro atụmatụ atụmatụ na mmemme na-enye ọmarịcha omenala na mmemme ahụ. Karịsịa, BIAS rụrụ ọrụ dị ka onye nlekọta ma kpọọ ndị na-eto eto dị iche iche na-ese ihe na ndị na-emepụta ihe ka ha kwado ndị na-echekwa omenala ochie.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Daxi Daxi Ememme Omenala Obodo meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Daxi Daxi Ememme Omenala Obodo ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Daxi Daxi Ememme Omenala Obodo bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Nha & Mkpuchi: Total event area: 121,000 sqm
Mkpado: festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Teknụzụ Mmepụta: The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Ịma Aka Imepụta: The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Nchọpụta: The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Mkpali: Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Oge Ọrụ: The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Usoro Ọrụ: The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Ndị Otu: Main Curator: BIAS Architects & Associates
Asụsụ Foto: Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018