Qin Ọrụ Bụ Isi: Usoro Poster nke Kaidi Mao

Ihe emepụtara bụ Qin Ọrụ Bụ Isi: Usoro Poster nke Kaidi Mao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Eserese, Ịse Ihe na Nkwurịta Anya.

BronzEserese· 2021

Qin Ọrụ Bụ Isi: Usoro Poster

nke Kaidi Mao

Onye Ahịa: Kaidi Mao

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Eserese

8,729

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #124488

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Qin Ọrụ Bụ Isi: Usoro Poster

Ederede Akwụkwọ: Qin bụ usoro poster nke na-akọwaghachi ọdịnala eserese ala ndị China site na midia dijitalụ. Aha Qin sitere n'okwu Chinese nke pụtara ịba ma ọ bụ ịba n'ime, ma mkpụrụ akwụkwọ e ji dee ya jikọtara akara mmiri na akara obi. Foto ka e bu ụzọ see, e mesịa jiri ngwá ọrụ dijitalụ dị ka Photoshop, Cinema 4D na Procreate mepụta ha. A na-emepụta usoro a n'ụdị abụọ dị iche iche n'ịha, enwere ike igosipụta ya n'akwụkwọ mbipụta ma ọ bụ na ihuenyo, ma n'ụlọ nkiri nka ma ọ bụ n'ụlọ obibi. Ebumnuche ya bụ ikwupụta echiche Taoist gbasara okike nye ndị na-ege ntị n'ụwa niile.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Qin Ọrụ Bụ Isi: Usoro Poster meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Qin Ọrụ Bụ Isi: Usoro Poster ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Qin Ọrụ Bụ Isi: Usoro Poster na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Nha & Mkpuchi: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Mkpado: Art, poster, Taoism, culture, landscape, painting
Teknụzụ Mmepụta: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Ịma Aka Imepụta: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Nchọpụta: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Mkpali: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Oge Ọrụ: The project started in September 2019, finished in May 2020 in Los Angeles.
Usoro Ọrụ: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.