Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi nke Shanxing Gao

Ihe emepụtara bụ Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi nke Shanxing Gao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Platinum na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

PlatinumỤlọ Owu· 2022

Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi

nke Shanxing Gao

Onye Ahịa: Gdf Ltd

Onye Meriri Ihe Nrite A' Design Award nke Platinum na Udi Ụlọ Owu

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi

Obi n'ọdịdị mpaghara na nzaghachi nye oge nke oge a bụ mkpali mbụ maka imepụta ọmarịcha ụdị ụlọ. Gbanyere mkpọrọgwụ na nkà ihe ọmụma nke Ebe Ọwụwa Anyanwụ, usoro nhazi nke onwe nke ụlọ elu, nke na-agụnye echiche gburugburu ebe obibi, ọrụ ọrụ omenala na ịmepụta ihe owuwu, na-anọchite anya ịdị mma n'usoro na mgbagwoju anya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Platinum

Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi meriri A' Design Award nke Platinum, nnabata dị oke ugwu e nyere design ndị bụ n'ezie pụrụ iche, mara mma ma dị ebube. Ndị meriri na Platinum bụ ihe ịtụnanya nke imepụta, ihe akaebe nke oke ntụgharị uche imepụta ihe, ma na-egosi ikike ọrụ na ọgụgụ isi na-enweghị ntụnyere nke ndị designer ha. A na-atụ anya na design ndị a ga-abụ ọrụ kacha mara amara nke na-akọwa ịma mma nke oge, na-enye aka na ọdịmma obodo ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi na-egosi ọkwa ịdị mma karịrị oke ma n'enweghị obi abụọ na-eme ka ụwa bụrụ ebe ka mma site na àgwà ya bara uru na dị oke ọnụ ahịa. Oriental Movie Metropolis Theater Ụlọ Ngosi Ihe Ngosi bụ ọrụ meriri A' Design Award nke Platinum nke na-akpali ọchịchọ, na-akpali, na-eme ka obi ụtọ jupụta ma na-akpali oke ọṅụ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: "The heart is on the ground and natural, responding to the next era", the Show Theatre takes it as the core aesthetic principle and starting point of inspiration. In terms of locality, environmental perception and the spirit of the times, it is demonstrated through architectural performance functions with customization, material shaping systems, and orderly, complex and elegant spatial organization. The curvilinear form language implies multi-level metaphors.
Nha & Mkpuchi: Project size: 231424 sq. ft
Mkpado: locality；dramatic; Cultural symbols； Parametric design；BIM technology
Teknụzụ Mmepụta: At the beginning of facade design, the Show Theater shape was defined as a hyperboloid of negative Gaussian curvature with different curvatures everywhere. It brings great difficulty to the subsequent processing, and also causes the high cost of curtain wall processing. According to the basic design principles defined by related structural design and morphological requirements, and through the establishment of Grasshopper-assisted design logic, we optimize the traditional basic surface morphology defined by the orthogonal UV direction, and achieve a positive design optimization of construction-oriented.
Ịma Aka Imepụta: In order to realize the design concept, the Show Theatre adopts a spirally ascending curve form covered with a full glass curtain wall to express the natural texture of the conch. This structural form determines that most of the glass are hyperboloid, and require customized processing. During construction, the complexity of the components and the requirements for installation accuracy are very high, the installation and positioning of a large number of special-shaped glasses are difficult, and the deformation of complex steel structures is difficult to control. In order to ensure safety, there are high requirements on the precision of steel consumption, displacement control and synchronization during the construction process.
Nchọpụta: Dominated by the initial design concept, the project applies the forward BIM methodology to introduce the parametric control of spatial curves in the very first stage of design. Integrating the artistic design of form as well as the construct of NURBS curves and surfaces, the elegant double shells concept fits well with the function of theater. During the whole design and construction process, forward BIM technology is used for the design communication and file control, which enable s the best translation of the initial design concept to the final built structure of the theater as well as the combination of art and technology.
Mkpali: The proposal concept comes from a conch-one of the oldest marine creature.Combined with the unique marine culture of QINGDAO, the Show Theatre creates an abstract and dynamic shape with verti calconch texture. Standing by the sea, the Show Theatre and the Grand Theater are in a beautiful contrast. They look the same, but with some changes.One is quiet,and one is lively, which adds a lot of vitality.
Oge Ọrụ: The project was completed on January 18, 2019 and officially opened on April 29, 2019 in Qingdao.
Usoro Ọrụ: In history, Qingdao was the hometown of Dongyi's marine civilization, the important place of the "Nation of Sea King" in the Spring and Autumn Period, and one of the earliest prosperous places on the Maritime Silk Road. Modern Qingdao is vigorously implementing marine cultural revitalization projects, marine cultural inheritance and development projects, and image enhancement projects. These will help build a marine cultural brand and a famous coastal cultural tourism city. A brand-new cultural, tourism and performing arts product not only enables citizens and tourists to feel the unique charm of the world’s top art performances, but also better meets their strong demand for night life in the island city. It also further enhances the city images of Open, Modern, Vibrant and Fashion, which promotes and spreads Qingdao culture as well as Qilu culture.
Ndị Otu: Gao shanxing, Wen yikang, Chang qi, Tang xiaomin
Asụsụ Foto: Image #1,2,3,4,5: Photograph by Wu qingshan studio