Haragana Oche Ezumike nke Tobias Kappeler

Ihe emepụtara bụ Haragana Oche Ezumike nke Tobias Kappeler bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2022

Haragana Oche Ezumike

nke Tobias Kappeler

Onye Ahịa: Tobias Kappeler Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #127610

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Haragana Oche Ezumike

Haragana bụ oche ezumike e ji ọdụdụ igwe steel a gọrọ agọ na obere efere kọk mee. E belatara oche a ka ọ bụrụ naanị ihe owuwu ya kwesịrị, nke mere na eji cushions ọ bụla ma ọ bụ akwa ndozi. Ọdịdị ya yiri oche ogwe aka, agbanyeghị na ọ nweghị ebe ndina aka. Ọnọdụ ntoala dị ala nke sentimita iri abụọ na asatọ na-akpali ndị mmadụ ka ha dabere azụ ma na-ele ihe gbara ha gburugburu anya ogologo oge. Ntọala oche ahụ ghere oghe na-eme ka oche ahụ dị mfe n'anya ma na-enye ya ohere ịba n'ime ọnọdụ ime ụlọ n'agbanyeghị na-adọrọ nnukwu uche. Efere kọk dị mfe na-egosipụta ọdịiche site n'ọdịdị ọdụdụ gbagọrọ agbagọ ahụ. A na-agọ, na-eku (weld), na-ejikwa aka na-achacha oche ọ bụla.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Haragana Oche Ezumike meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Haragana Oche Ezumike ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Haragana Oche Ezumike na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
Nha & Mkpuchi: The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
Mkpado: Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
Teknụzụ Mmepụta: The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
Ịma Aka Imepụta: The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
Nchọpụta: The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
Mkpali: We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests.
Oge Ọrụ: The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
Usoro Ọrụ: Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
Ndị Otu: Tobias Kappeler