Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri by Yu-Fan Kao and Wei-Hua Lin

Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri by Yu-Fan Kao and Wei-Hua Lin is a highly esteemed winner of the very prestigious 2022 Ihe Nrite A' Design Award nke Ọlaọcha in Nhazi Ime Ụlọ na Ngosipụta Competition Category.

ỌlaọchaIme Ụlọ· 2022

Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri

by Yu-Fan Kao and Wei-Hua Lin

Client: Drawin Design Studio

Ihe Nrite A' Design Award nke Ọlaọcha Winner in Ime Ụlọ Category

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The Design

About Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri

Yamaki Zushi bụ ime ụlọ nri Japan dị na Taiwan. E ji igwe bọọdụ nwere ọdịdị dị ka bọọdụ osisi Japan e ji egbochi ihu igwe mee ihu ụlọ ya, na-enye ya ọdịdị siri ike na oge ochie. N'ime ya, ala ala ọcha isi ojii ọhịa Karesenzui, ọdọ mmiri azụ na ime ụlọ nwere oghere na-eweta ìhè ụbọchị na okike n'ime oghere ahụ. Enyere mpaghara iri nri abụọ: kaụnta mepere emepe nwere oche iri na abụọ gburugburu ebe esi nri, na igbe nzuzo. Cypress, teak, osisi na-enweghị agba, ihe na-eṅomi nkume na Baizou, bụ ihe eweghachiri site na ntụ ntụ mgbawa ugwu, na-ebelata mmiri na isi nri.

The Recognition

About the Ihe Nrite A' Design Award nke Ọlaọcha

Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Yamaki Zushi Primary Function: Nhazi Ime Ụlọ Nri bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: First, the restaurant exterior is made of hardware in the shapes of weatherboard inspired by Japanese wooden weatherboards; the vintage-like facade appearance has created a sense of roughness through the added layers. Old materials are reused by continuing the original red brickwork technique from the former restaurant to this new space; yet, wooden bricks are applied instead of red bricks and have inherited the collage characteristics of the original design. The red brickwork and weatherboard designs have transferred the imagery and atmosphere of the former shop while adding a sense of Japanese.
Dimensions & Packaging: The interior is built on the core of (the co-existence of men and nature). It has outlined the sense of (rough rustic) through the Karesenzui-like cement walls, shale-like materials, fish pond, tree sceneries, and atrium. At the same time, many wooden materials are applied for a spatial extension, creating the maximum richness in low-convergence changes of materials. The interior is decorated with gratings and window flaring that connected the Karesenzui landscaping at the entrance, practicing the core of this spatial design concept.
Tags: Dining space, Japanese, eco-friendly materials, Karesenzui, cypress.
Production Technology: Rusted iron, unpainted wood, cypress, teak, rock-imitated materials, Cadoni flooring, Baizou, rocks.
Baizou is a material recycled from volcano ashes in Japan. It could eliminate formaldehyde while decreasing moisture and smells.
Design Challenge: With the advantage of free deployment, how to combine the client requirements with spatial arrangements to create a smooth traffic flow for employees and customers was one of the critical issues of this design. Finally, the designer mixed the overall structure with materials and construction method; combining different materials in the same tone such as cypress, unpainted wood, and teak with Baizou allows the space to decompose residual smells of cooking effectively.
Research: The exterior is built in a rain staircase shape with rust-imitated materials; the use of vintage-like materials has intentionally given guests the first impression of roughness. After entering the interior, a dark-grey Karesenzui scenery shows up, and the dark-toned space has used an atrium method to draw daylight from outdoors. An open-end dining area and VIP boxes are introduced after the hallway; different materials in the same tone are applied to create a spatial extension. Unordered layers are created using cypress, unpainted woods, teak, rock-imitated materials, and Cadoni flooring.
Inspiration: Aesthetics and simplicity develop this design concept. The spatial is divided by rough and delicate methods inside out, allowing users to experience different atmospheres between the transformation of areas.
Project Duration: The project finished in May 2021 in Taiwan.
Operation Flow: The overall spatial is mainly divided into two dining areas. One is the open-end counter area that contains twelve seats; these seats surround the cooking station. The square-shaped arrangement has echoed with the wooden diagonal planes on the disordered ceiling; also, the wooden tile screens have all together shown a peaceful atmosphere in the same tones. The other seating area is designed as private boxes; the steady, low-key wooden materials surround the seats with hardware screens.
Team Members: Yu-Fan Kao, Wei-Hua Lin
Image Credits: DRAWIN DESIGN STUDIO