Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Ching Hsiang Peng

Ihe emepụtara bụ Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Ching Hsiang Peng bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2022

Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke Ching Hsiang Peng

Onye Ahịa: Mojo Design Studio

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #130548

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Concentric Circle bụ nhazi ime ụlọ obibi maka ụlọ dị 198.3 square mita nwere ọnụ ụlọ ihi ụra anọ, ụlọ ọmụmụ, ụlọ nzukọ, kichin na ụlọ oriri. E dobere ụlọ nzukọ n'etiti atụmatụ ahụ ma ọ bụrụ isi ihe dị n'ime ụlọ ahụ. Mgbidi telivishọn nke ọkara ịdị elu na-ekewapụta ụlọ nzukọ site n'ọnụ ụzọ mbata, na-eme ka ọganihu na-erughị aka ọ na-agagharị nke ọma. Ọnụ ụzọ iko na-agagharị na-ekewapụta ebe ndị a na-ekekọrịta n'ọkara otu, na-ekekọrịta ìhè ehihie mgbe ha na-ejide ọnụ ụlọ ọ bụla ka ha jikọtara ọnụ. A na-eji ọcha ndị na-enweghị formaldehyde (zero-formaldehyde latex paint) mee ihe n'ebe niile.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Concentric Circle Ọrụ Isi: Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The living room is the center of the circle, and the design of the space creates a family centripetal force. The half-circle design on both sides of the TV wall symbolizes the embrace and care of the family. The living space is designed in an open style, using glass sliding doors to define spatial attributes, and flexible use according to the needs of the residents in terms of usability, taking into account both functionality and interaction. The study, living room, and dining room are arranged on the same axis, and the circular arrangement is used to link all the home spaces, making the living room the core of the family.
Nha & Mkpuchi: The entire apartment is 198.3 square meters, with four bedrooms with balconies, a study, a living room, a kitchen and a dining room. The designer use Benjamin Moore zero-formaldehyde, zero-PVOC latex paint to keep formaldehyde below 0.04 in the whole apartment, which is easy to clean and maintain, and use Taiwan-made system furniture and kitchenware to reduce the footprint of transportation.
Mkpado: Concentric circle, centripetal force, emotional cohesion, circular motion, material penetration
Teknụzụ Mmepụta: The design of concentric circles is used to link all the spaces, and the half-wall design and glass sliding doors are used to open up the vision of the space. The living room with TV is placed in the center of the apartment to solve the problem of sunlight reflecting on the TV during the day, while leaving the natural light to the study by the window.
Ịma Aka Imepụta: How to balance the different style preferences and living habits of the family members, coordinate the different elements in this space, and transform it into an aesthetic home space is the biggest challenge of this project. By transforming the layout, reinterpreting the spatial scale and boundaries, using penetrating materials and lines to extend the visualization of the space, and generating spatial centripetal force through the design, the family connections are united in this space.
Nchọpụta: While maintaining the independence of the space, the interaction between the family members is enhanced, allowing the family's emotions to spread in each space and then coalesce in the living room, allowing the family to strike a balance between emotional communication and independent privacy through the design.
Mkpali: Home is a permanent haven for the family where unite the people as a whole. In this case, the designer uses the idea of concentric circles to interpret the spatial movement, aiming to link family boundary through the design, through the guidance of space, to increase more interaction and communication between family members.
Oge Ọrụ: This project is located in Hsinchu County, Taiwan. Started in July 2020 and be completed in July 2021.
Usoro Ọrụ: The half-height TV wall is used as a partition between the living room and the entrance hall, providing a flowing circulation for the spaces and taking the living room as the core of the space, like embracing, through the convergence of space. Transparent sliding doors are used to separate the common areas on the same axis, giving flexibility for usage and sharing light through the use of permeable materials, allowing each separate space to remain connected and interactive.
Ndị Otu: Chief Designer: Ching Hsiang Peng
Asụsụ Foto: Image #1: OS Photography studio, Concentric Circle, 2021.
Image #2: OS Photography studio, Concentric Circle, 2021.
Image #3: OS Photography studio, Concentric Circle, 2021.
Image #4: OS Photography studio, Concentric Circle, 2021.
Image #5: OS Photography studio, Concentric Circle, 2021.