Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Tan Chieh Chen

Ihe emepụtara bụ Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Tan Chieh Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

IgweIme Ụlọ· 2022

Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke Tan Chieh Chen

Onye Ahịa: W-house interior design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ime Ụlọ

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ihe Odide Akwụkwọ: Azure Blue na Emerald Harmony bụ nhazi ime ụlọ obibi maka ụlọ mkpuchi elu nke a na-ewulite ọhụrụ nke 33-ping dị na ala nke iri na anọ. Ụlọ a nwere ọnụụlọ ihi ụra anọ, ọnụụlọ obibi abụọ na ọnụụlọ ịsa ahụ abụọ nwere ìhè eke. A na-ejikọta agba oji, isi awọ na ọcha dị jụụ na ihe ndozi ime ụlọ dị nro nke bụ agba blue na isi awọ. Okporo windo oji buru ibu na-egosipụta ọhịa ndụ dị n'èzí dịka onyonyo. Nhazi ọkara-mepere emepe nwere ọnụ ụzọ iko na-agbanwe agbanwe nke agba isi awọ n'ime okporo igwe na-echekwa oghere. Ọkụ ndị e tinyere n'ime elu ụlọ, ọkụ mgbidi, ọkụ ngosi na oriọna na-ewulite ọdịdị ebumnobi n'abalị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Azure Blue and Emerald Harmony Ọrụ Isi: Nhazi Ime Ụlọ Obibi maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The client enjoys reading and living and decided to create a living space surrounded by daylight, hoping to integrate the interior design with the 10,000 level-ground parks outside the window. Hence, the designer wished to connect the space with the outdoor scenery and construct a harmonious aesthetic.
Nha & Mkpuchi: This project is a newly constructed 33-ping residence located on the 14th floor and is equipped with 4 bedrooms, 2 living rooms, and 2 bathrooms with natural lighting. To draw daylight into the interior with balance, the spatial is adopted with a semi-open-end design, gray glass sliding doors with iron frames, and a leading white tone supplemented by calm elements. By combining different lighting fixtures, such as linear recessed lights, wall lights, display lights, and chandeliers, a unique space atmosphere is brought to each area of the residence during the night.
Mkpado: Drawing view into the room, Lighting and transparency, Open-end space, Elegant with light luxury, Curved vocabulary.
Teknụzụ Mmepụta: Ink-black colors paired with shades of white, Fucheng marble television wall with abstract branch shapes, first-class flame-proof closets, gray glass, tiles, wall scones, chandeliers, French windows, and laminates.
Ịma Aka Imepụta: One of the critical points that the designer considered was integrating the view of the windows into the interior to create a harmonious and coherent feeling. First of all, matching colors of black, white, and gray are used as the central tonal as much as possible; through the same tonal selection and the rich texture of materials, layers with rich changes are interpreted within the low-chroma spatial tone. Secondly, the window entrance, floorings, and handles were arranged coherently to deliver perfection and harmony in function and sight.
Nchọpụta: The designer adopted the open-end approach to maximize the use of space; by converting one of the rooms into a semi-open space, the abrupt opening angle of the original door is eliminated. At the same time, the sliding iron-framed gray glass door design has saved a lot of space within the narrow housing layout. The designer focused on the overall balance of the space; therefore, the color scheme was carefully thought out. Colors of black, gray, and white are used as the main tonal of the room and are complemented by blue and gray tones of soft furnishings.
Mkpali: The client enjoys reading and living and decided to create a living space surrounded by daylight, hoping to integrate the interior design with the 10,000 level-ground parks outside the window. Hence, the designer wished to connect the space with the outdoor scenery and construct a harmonious aesthetic. The color arrangements were critical while planning this project; the calm and restrained black, gray and white tones are combined with the selection of materials to quench an elegant and quiet harmony.
Oge Ọrụ: The project finished in January 2021 in Taiwan.
Usoro Ọrụ: The design team took natural advantage of this space and used thick black window frames with harmonious proportions, just like a picture frame to capture the flowing clouds and layers of mountains outside the windows, as if enjoying an endless landscape painting that lightens up the day after coming home. To highlight the consistency of the overall space, the semi-open-end display shelves are used in the functional area; they are equipped with modest drawers and gray glass doors, allowing the client who is fond of collecting treasures and wines to enjoy a comprehensive display and storage space.
Ndị Otu: TANG-CHIEH CHEN
Asụsụ Foto: W-house interior design