Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 Ihe Nrite A' Design Award nke Bronz in Nhazi Ime Ụlọ na Ngosipụta Competition Category.

BronzIme Ụlọ· 2022

Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

Ihe Nrite A' Design Award nke Bronz Winner in Ime Ụlọ Category

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The Design

About Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ

Ederede Akwụkwọ: Clay Studio 2 bụ nhazi ime ụlọ ọrụ e mere maka ọrụ nhazi ngwaahịa na nhazi anya na Tokyo. A na-eme atụmatụ ohere nke mita kwụba 300 ka ọ bụrụ ebe dị jụụ maka itinye uche, iji dochie anya ụlọ ọrụ ndị lekwasịrị anya n'ikpe okwu. A hapụrụ kọnkrit, agba na bọọdụ osisi ndị a na-emeghịzi emeghị, nke mere ka ime ụlọ ahụ yie ka e ji naanị osisi na ogidi wuo ya. Nhazi ubi na ọdịdị anụ ahụ dị iche iche na-akpụzi azụ ihe onwunwe ma na-eweta mgbanwe oge n'ime ohere ahụ. Tebulu ndị na-ekiri gburugburu chere ihu n'èzí, tebulu mita asaa na-enye ohere maka nzukọ dị mkpirikpi ma na-edobe anya n'etiti ndị mmadụ.

The Recognition

About the Ihe Nrite A' Design Award nke Bronz

Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Fujifilm Clay Studio2 Ọrụ Isi: Nhazi Ime Ụlọ Ọrụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita