Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa nke AD Architecture

Ihe emepụtara bụ Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa nke AD Architecture bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2022

Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa

nke AD Architecture

Onye Ahịa: AD Architecture

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #135973

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa

Chasing Light bụ ụlọ ngosi ngwaahịa emere maka otu ụlọ ọrụ na-emepụta taịlị serామik nọ na Foshan, China. Ime ụlọ ahụ na-ekpuchi mita square 890 ma jikọta ebe nnabata, ebe ngosi na ebe ahụmịhe. E kewara ngwaahịa taịlị seramik n'ụzọ anọ ma gosipụta ha n'elu kwụ ọtọ na nke dina ala n'ime oghere ahụ. Ụdị geometric na ọtụtụ nke ọnụ ụlọ ndị ahụ na-ewupụta nnukwu ogwe nkume sintered. Ìhè na-ewusi ihe ndina okike nke ogwe ndị ahụ ike. Ihe ndị bụ isi gụnyere ogwe nkume sintered, agba nka, nchara anaghị echa na acrylic. Nhazi ahụ na-eduzi ndị ọbịa gafee ụzọ doro anya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Chasing Light Ọrụ Ngosi: Ụlọ Ngosi Ngwaahịa bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The product display space continues the overall design logic. To solve the problem of exhibition, ceramic tile products are divided into four categories, and are showcased in a pure manner on the horizontal and vertical surfaces within the space. With the interaction of light and geometric forms, and based on architectural aesthetics, the design expresses the confidence of the space and highlights the high-end products.
Nha & Mkpuchi: Building area:890 square meters
Type:Showroom
Mkpado: AD ARCHITECTURE, Xie Peihe, plain aesthetics, light & geometric forms, corporate headquarters, brand display
Teknụzụ Mmepụta: The geometric form and scale of the space highlight the large size of sintered stones. Complemented by light, the textures of natural sintered stones are strengthened. The tranquil light, powerful forms and natural tactile experience are intriguing, evoking various emotions and thinking.
Main materials: sintered stone panel, artistic paint, stainless steel, acrylic
Ịma Aka Imepụta: Conventional showrooms face two common problems. First, the conventional spatial pattern restricts products to expressing themselves. Second, unreasonable ways of product display make the space disorderly, and do not well show the strengths of products, thereby lowering buyers' shopping desires.
There are 38 types of sintered stone panels, which can be used in 54 different ways in various spaces. To efficiently display the diversified uses of such a variety of products posed a big challenge.
Nchọpụta: The design breaks the homogeneous design of conventional showrooms and ways of product display, and enables products to resonate with the space, nature, people and time. It's a bold exploration of showroom design in China's ceramics sector.
By releasing the column networks of the space, the project creates a free, relaxing spatial atmosphere and well-organized circulation route, allowing visitors to experience all products and participate in every spatial node by following the set circulation.
Mkpali: Based on the core values of the ceramic tile brand with a history of 25 years, the project adopts the design logic that meets the demands of contemporary and future exploration, and shows respect to the brand's culture and core. The design team dug into the philosophy that respects nature and values a plain aesthetic. Through architectural space and light, the designers expressed their understanding of the ceramic tile products with a confident attitude.
Oge Ọrụ: Start time: 2021.08
Completion time: 2021.11
Location: Foshan, Guangdong Province
Usoro Ọrụ: The reception lobby breaks the original high and closed space, lowers the height of the ceiling, and creates interesting forms and a sense of strength, which visually extends the interior surfaces, enriches the spatial layers and effectively removes the oppressive feeling brought by closed space.
The design displays the brand's image in an interactive manner, and creates connection between the 12 square columns and the brand. Several transitional spaces are inserted to link spatial nodes.
Ndị Otu: Chief designer:Xie Peihe
Furnishings:AD ARCHITECTURE
Asụsụ Foto: Ouyang Yun