Interpreting Discomfort Usoro Eserese Mmanụ nke YunFen Wang

Ihe emepụtara bụ Interpreting Discomfort Usoro Eserese Mmanụ nke YunFen Wang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

BronzNkà Mma· 2022

Interpreting Discomfort Usoro Eserese Mmanụ

nke YunFen Wang

Onye Ahịa: YunFen Wang

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Nkà Mma

14,188

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #136563

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Interpreting Discomfort Usoro Eserese Mmanụ

Ederede Akwụkwọ: Ịkọwa Nsogbu Obi bụ usoro eserese mmanụ gbasara oghere onwe onye na mmanye mmadụ ibe. Ọrụ ndị a na-egosi aka na anya n'ime ọnọdụ e doziri edozi nke na-emeghachi ihe omume oge niile nke enweghị udo obi. Omume ilekọta mmadụ nwere ike ime ka ndị mmadụ dịrị ná mma nso, ma ilekọta karịrị akarị nwekwara ike ịkpata nsogbu obi. Eserese ndị a na-ejikọta usoro abụọ. Eserese na-ezighi ezi (indirect painting) na-ewulite ntọala ojii na ọcha nke a na-etinye agba na ya mgbe e mesịrị. Eserese ozugbo (direct painting) na-etinye agba agwakọtara ozugbo n'elu ihe eji ese ihe. E ji mmanụ eserese na kanvas na mbadamba osisi mepụta usoro a, a na-egosikwa ya n'ụlọ ngosi ihe nkà dịka mmalite mkparịta ụka.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Interpreting Discomfort Usoro Eserese Mmanụ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Interpreting Discomfort Usoro Eserese Mmanụ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Interpreting Discomfort Usoro Eserese Mmanụ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Many times “caring” actions will bring people closer together, but it can also make people uncomfortable with too much attention. In this series of works, she discuss how much attention is too much? How is this feeling of discomfort formed? For the attention given by others, we all want to classify it as concern, but too much attention may become a kind of pressure. She use this series of works to discuss with the viewer the comfortable distance of interaction between people.
Nha & Mkpuchi: 24 x 48 inch / 24 x 30 inch / 20 x20 inch / 12 x 12 inch
Mkpado: hands, eyes, oil painting, art, surrealism
Teknụzụ Mmepụta: She examined the difference between indirect painting and direct painting, and used both of them in the picture. The indirect painting methods belongs to the technique of classic realistic oil painting, which is completed in black and white and then glaze color on top. Direct painting is the method of contemporary painting, which directly superimposes the adjusted color on the canvas.
Materials used: Oil paint, Wood Panel, Canvas
Ịma Aka Imepụta: Ideation and the atmosphere is the hardest part of this project. In the presentation of the picture, the shape of the hands must be placed harmoniously in the picture without losing the beauty.
Nchọpụta: The first thing is to study how to create an uncomfortable atmosphere. Eyes and hands are good parts for expressing emotions. The unnatural feeling of combining these two makes the picture more attractive and intriguing.
Mkpali: The images she make for this project are staged recreations of her own experience, and she believe that it is also the experience of many other people. This series deals with issues of discomfort and stress in everyday life. We all care about how others view us, this has become the same as our invisible living standards.
Oge Ọrụ: The project began in San Francisco in 2020. Participated in Contemporary Venice 2021, Italy and Small Works 2021, New York.
Usoro Ọrụ: It will be displayed in a gallery, and these paintings can be a tool for conversation.