The Land of Rocks Ụlọ Ngosi Ihe nke Weixian He and Baoyang Wei

Ihe emepụtara bụ The Land of Rocks Ụlọ Ngosi Ihe nke Weixian He and Baoyang Wei bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu Ngosipụta Azụmaahịa, Ime Ụlọ na Ngosipụta.

ỌlaọchaNgosipụta Azụmaahịa· 2023

The Land of Rocks Ụlọ Ngosi Ihe

nke Weixian He and Baoyang Wei

Onye Ahịa: Wise Space Aesthetics

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ngosipụta Azụmaahịa

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Land of Rocks Ụlọ Ngosi Ihe

Ala nke Nkume bụ ebe ngosi nwa oge e mepụtara maka akara ngosi nkume sintered na Izu Nhazi nke Guangzhou n'afọ 2020. Ụlọ ngosi ahụ ruru mita skwea 180. Nhazi nke mechiri ọkara ma meghee ọkara na-eduzi ndị ọbịa n'ụzọ dị iche iche, ebe oghere ndị a kpụrụ na mgbidi ndị a haziri ahazi na-eme ka a hụ ụkpụrụ nkume ndị ahụ site n'èzí na site n'ime. Ihe owuwu gbagọrọ agbagọ a kpọrọ Okooko Nkume guzo n'etiti ogbo ahụ. Nhazi a na-eme ka mmekọrịta dị n'etiti nkume sintered, ebe obibi na obodo pụta ìhè ma dịrị mfe ịnweta ahụmahụ ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

The Land of Rocks Ụlọ Ngosi Ihe meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na The Land of Rocks Ụlọ Ngosi Ihe ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Land of Rocks Ụlọ Ngosi Ihe bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: "Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Nha & Mkpuchi: 180sqm
Mkpado: Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Teknụzụ Mmepụta: Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Ịma Aka Imepụta: The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Nchọpụta: From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Mkpali: What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Oge Ọrụ: The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Usoro Ọrụ: To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Ndị Otu: Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Asụsụ Foto: Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu