Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke San.O Interior Design

Ihe emepụtara bụ Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke San.O Interior Design bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2023

Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke San.O Interior Design

Onye Ahịa: San.o Interior Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #142300

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Line and Structure bụ nhazi ime ụlọ obibi maka ụlọ ezinụlọ nwere ọkwa ise na Taiwan. E hazichara ụlọ a maka ezinụlọ mmadụ iri sitere n'ọgbọ atọ. Ahịrị kwụ ọtọ na ahịrị gbatịrị agbatị na-eduzi anya na-ejikọtakwa mpaghara ọha na eze dị n'okpuru ụlọ ahụ na ime ụlọ nzuzo dị n'elu ya. Agba ndị dị nwayọọ (low saturation) na akara ǹdach dị iche iche mepụtara ọnọdụ udo. E ji Neolith, ihe nkume dị mfe ma a na-emegharị eme, mechie mgbidi bụ isi, ebe e jikwa agba mineral sitere n'Itali see mgbidi ndị ọzọ. Ìhè na onyinyo na-eme ka ọdịdị ime ụlọ ahụ toro ogologo ma dị warawara pụta ìhè n'anya dịka o si sara mbara.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Line and Structure Ọrụ Isi: Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The design team connects different materials and changes of light and shadow to create a majestic and smooth design. The low saturation colors reveal a calm and quiet atmosphere, complemented by various metal embellishments, which gently lay out the texture and atmosphere. The space is designed with vertical and horizontal lines to explore the connection between family members. In the open plan, the vertical and horizontal lines can lead the visual extension, invoke natural light upward, converge downward to connect the public area on the second floor and connect the private area on each floor horizontally to make the home warmer.
Nha & Mkpuchi: The project has 991.7 square meters, with 5 floors and a single floor area of 198.3 square meters. There are 8 rooms, a dining room, a living room, and 4 social halls. In terms of function, the 1st and 2nd floors are public areas, the 1st floor has a garage and a social hall, and the 2nd floor has a living room, a restaurant, a cooking area, and a light meal area. The 3rd to 5th floors are private areas, the 3rd and 4th floors have a social hall, a study room, a master bedroom, and two childrens rooms, the 5th floor has a Buddhist hall, a parents' room, and a guest bedroom.
Mkpado: Patio, large area, single-family house, light and shadow, lines.
Teknụzụ Mmepụta: The client prefers the natural texture of stone, and therefore the design team adopts imported Neolith to replace marble in the main wall. When it comes to Neolith, it has three characteristics: first, it is made of 100% natural materials and can be recycled, second, its thickness is only 3mm, which has the same texture as stone with its thinness, third, the porosity of the material is less than 0.08%, which can effectively prevent the accumulation of bacteria and allergens. As for the paint, the project adopts Italian eco-friendly mineral paint.
Ịma Aka Imepụta: The project has five floors and a large space, so there are many beams and columns. In particular, the large beams on the first floor are the most noticeable. To solve the problem, the design team used dark stone veneer to cover the beams and columns and added wood panels to weaken the beam visually and increase lighting. To avoid the visual pressure caused by the uneven beams, the design team deliberately lowered the ceiling. However, to maintain a transparent view, the design team through the patio and lighting to guide the light, creating a harmonious and unobtrusive space.
Nchọpụta: The interplay of light between the vertical and horizontal axes allows for the visual extension of the long and narrow layout. The low saturation of color blocks outlines the refinement of the environment. The changes in light and shadow enrich the interior yet create an artistic expression. The design team uses light, shadows, and, lines to construct the visual in the space thus named this project 'Between line and structure.' The whole space preserves the privacy of each family in the private area while maximizing the interaction of each family member in the public area.
Mkpali: The clients family consists of ten members from three generations. Inspired by the warm atmosphere of this large family, the design team used the three elements of light, shadow, and line according to the characteristics of the building to create independency for the public and private areas. In the end, the design team created a separate space for each person, while connecting the close living and interaction between family members to build the ideal home.
Oge Ọrụ: The project finished in January 2022 in Taiwan.
Usoro Ọrụ: The long and narrow layout affects the vision and feeling. To avoid the feeling of oppression, the design team used light, shadow, and lines in the space. Especially in the study areas on the 3rd and 4th floors, the diffuse light and shadow stretch the vertical axis of the space, invisibly leading the visual extension upward. The design team used precise lines to decorate the environment so that clients can feel the varied elements of the design no matter where they are.
Ndị Otu: CHIUNG-YING CHIU, KENG-YAO CHANG
Asụsụ Foto: SAN.O INTERIOR DESIGN