Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Tzu-Chieh Li

Ihe emepụtara bụ Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi nke Tzu-Chieh Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

BronzIme Ụlọ· 2023

Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi

nke Tzu-Chieh Li

Onye Ahịa: Muho Design

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #142316

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi

Ederede Akwụkwọ: Invisible Shadow bụ nhazi ime ụlọ obibi maka ụlọ ka emechara ọhụrụ nke dị mita kwaduru 148.7 na Taiwan. Isiokwu ya bụ nke dị ukwuu ma dịkwa ọhụrụ n'ụdị. Nnukwu marble na-eguzobe mgbidi telivishọn ma bụrụkwa isi ihe ngosi nke mpaghara ọha. A na-eji anụnụ isi ntụ, oji na ọcha site na ihe mkpuchi pụrụ iche, pileeti sistemu na enyo ime ka ihe achọpụtara na-egosipụta ngọngọ ọdịdị nchagbu. Ìhè sitere n'anwụ site na blaịnd nchịkwa ìhè na-akwụkọrịta ọnụ na oche mmadụ nke osisi. Nhazi mepere emepe na-ejikọta kichin, ụlọ oriri na ụlọ obibi iji mee ka ala ogologo ma warawa buo ibu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Invisible Shadow Ọrụ Isi: Nhazi Ime Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The style of this project is the 'grand and modern' style preferred by the client. To put the imagination of both into practice in the living space, the designer used gray, black, and white to outline the rectangular color lumps. In addition, special paints and leather textures are used to emphasize the nature of the stone. Finally, the natural light from the light-adjusting blinds echoes the wooden couch. Furthermore, in response to the narrow layout of the dining, kitchen, and living room on the second floor, the designer adopts an open layout to enlarge the space.
Nha & Mkpuchi: This project is a 148.7 square meter newly completed house. The theme of 'grand and modern' is prominent in the public area. For this reason, the designer used stone texture, iron shelves, and a solid wood grille for decoration. As for the private area, the style tends to be modern and casual, considering the users' needs for rest and sleep. The intermittent color flash echoes the design of the public area. The leather and brushed metal system panels soften the impression of stone in the public area, creating a quiet space for rest.
Mkpado: Grand, stone, modern, color lumps, newly completed house.
Teknụzụ Mmepụta: Material, marble, system board, special coating, metal parts, and solid wood grille. To emphasize the 'grand' atmosphere expected by the client, the designer used a large piece of marble as the TV wall. The stone is the centerpiece of the venue, while gray, black, and white are used for the special paint, system panel, and mirror to soften the dazzling elements and highlight the texture of the marble.
Ịma Aka Imepụta: To deal with the disadvantage of the long and narrow space, the designer used an open layout to connect the kitchen, dining room, and living room. And to make the three different areas present a consistent atmosphere, the designer unified the color tone of the space, using gray, black, and white brought by marble, special paint, mirrors, and leather system panels throughout the place. In addition, irregular rectangular color lumps and lines are used to present the visual depth and reshape the space.
Nchọpụta: The designer used a large piece of marble to create the impression of a 'grand', and then extends and set off the theme with a special coating to enrich the visual depth. In addition to the low saturation colors of gray, black, and white, the design also repeatedly uses mirrors, system panels, and wood grilles to outline rectangular color lumps and smooth lines. This design technique is not only repeated on the facade but also on the metal lines and lights on the ceiling. As for the private area, the exquisite design is reduced to the impression of minimalism.
Mkpali: Through the interweaving of rectangular color lumps and the harmonious and orderly combination of different materials, the designer set off the natural texture of marble and finally interpreted the modern and grand style. To echo the modern and grand impression of the space, the designer used a large piece of marble in the public area to display a majestic and smooth texture. The straight lines and low saturation coatings are used to soften the cold and sharp edge of the stone and create a modern atmosphere.
Oge Ọrụ: The project finished in February 2022 in Taiwan.
Usoro Ọrụ: When the space intuitively presents the aesthetics, the traffic flow also draws people closer. In the design of the public area, the designer blurred the visual boundaries between the kitchen, dining room, and living room. The homeowner can taste the food in the living room, the children can do their homework in the dining room, and the family can interact with each other.
Ndị Otu: TZU-CHIEH LI
Asụsụ Foto: MUHO DESIGN