Ihe emepụtara bụ Xu Wei Ime Ụlọ Ngosi Nka nke U a D bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2023

Xu Wei Ime Ụlọ Ngosi Nka

nke U a D

Onye Ahịa: Uad

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Xu Wei Ime Ụlọ Ngosi Nka

Xu Wei bụ ime ụlọ ngosi nka dị na Shaoxing City, Zhejiang Province, China, nwere mbara ala ruru square mita 8,000. Nhazi ahụ jikọtara ihe owuwu, ime ụlọ na oghere ngosi n'otu atụmatụ. Ala mbụ na-ahụ anya jikọtara ụlọ ngosi ndị dị n'akụkụ abụọ na ama dị n'ugwu na ndịda. Ogige ndị dị n'ime na-ekewa mpaghara ngosi ma na-abawanye nhụta anya. E mere ka ihe ndị dị n'ime ya dị mfe ka ha bụrụ ụdịdị geometrị na-acha ọcha, ka ìhè, onyinyo na nhụta odida obodo na-abụ isi ihe a na-elekwasị anya. A kụchara ma tee veneer ndị ahụ ihe mkpuchi n'ebe ọrụ ahụ iji nweta elu ọcha dị ọcha yiri akwụkwọ osikapa ọdịnala.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Xu Wei Ime Ụlọ Ngosi Nka meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Xu Wei Ime Ụlọ Ngosi Nka ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Xu Wei Ime Ụlọ Ngosi Nka bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: As for the distribution and functions of the areas, the overall design is as free and refreshing as Xu Wei's art works, in quest of a flowing atmosphere rather than meaningless and strange forms. The transparent ground floor connects exhibition halls on both sides and the north and south squares. Thanks to the changing light and shadows, as well as the huge transparent glass, the whole space is connected in harmony. Here, a splendid picture is unfolding, bringing our memory back to the past.
Nha & Mkpuchi: Project area: 8,000 square meters
Type: Art Museum
Mkpado: UAD, Xu Wei, Art Museum, herringbone slope, Qingteng Bookstore
Teknụzụ Mmepụta: Taking inspiration from Xu Wei's paintings, the designers set up an internal courtyard on both sides, respectively, reasonably dividing exhibition halls, enhancing interior transparency and adhering to the design idea of "merging courtyards with the interior". For example, landscaped structures are introduced into the interior framework system, providing visitors with more opportunities to explore the beauty of nature.
Ịma Aka Imepụta: Many attempts were made to select main materials for the veneers. At the beginning, the materials chose by the designers appeared gray and dark, far from the desired effect. Later, in response, the veneers were re-polished on the site and re-clad with coatings, with the purpose of producing a visual effect as pure, clean and white as Chinese traditional rice papers.
Nchọpụta: As for the whole space, the design team implements the holistic design philosophy of integrating architecture, the interior, and display space. Along the stairs, the rough plain-white textures on the surface extend to the second floor. The long, narrow hallway and the double-pitched roof are combined to create a framed view which encompasses both tourists and landscapes, and create a setting with various uses, including resting, gathering, viewing and taking pictures.
Mkpali: In order to achieve the aesthetic aim of "though made by man, it seems to be created by nature," the project takes cues from the essence of Oriental aesthetics of "unity of man and nature." The designers convert all elements into simple, white geometric ones, so as to highlight various scenes. The design not only responds to Xu Wei's artistic idea of "adopting basic colors," but incorporates into the local historical context and renders an ethereal art world with "blank" as a carrier.
Oge Ọrụ: Design Cycle: April 2020-April 2021
Completion time: October 2021
Locayion: No. 33, Houguan Lane, Yuecheng District, Shaoxing City, Zhejiang Province
Usoro Ọrụ: The museum and the surrounding landscapes are intertwined, creating a number of gray spaces that embody the Oriental aesthetic functions of "hiding, resting, self-cultivating and wandering" that are specific to Chinese traditional architecture. The designers create a complete and coherent spatial experience related with the architecture and landscapes for tourists, with the aid of the spatial construction technique known as "viewpoint transformation."
Ndị Otu: Chu Ran
Liu Wanlin
Wang Junzheng
Mei Wenbin
Asụsụ Foto: Zhao Qiang