Ihe emepụtara bụ Poetic and Artistic Nhazi Ime Ụlọ Obibi nke Byrant Hong bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.
ỌlaọchaIme Ụlọ· 2023
Poetic and Artistic Nhazi Ime Ụlọ Obibi
nke Byrant Hong
Onye Ahịa: Siang Jie Interior Design
Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #147894Nhazi a
Maka Poetic and Artistic Nhazi Ime Ụlọ Obibi
Poetic na Artistic bụ nhazi ime ụlọ nke ụlọ obibi nwere okpukpu ise nke nwere 480 square metres na obodo Kaohsiung, Taiwan. Ụlọ ahụ dị warara ma dị omimi, ya mere e degharịrị nhazi ya iji meziwanye ìhè anyanwụ na mmetụta nke oghere. Okpukpu nke mbụ na nke abụọ mebere mpaghara ọha ma gụnye ọnụ ụlọ tii nnabata, ebe okpukpu nke atọ ruo nke ise nwere ọnụ ụlọ ihi ụra, ọnụ ụlọ ọmụmụ ihe na ọnụ ụlọ mgbatị ahụ maka ezinụlọ mmadụ ise. Nnukwu mgbidi e ji nkume mee gbagoro ruo n'uko ụlọ nke okpukpu abụọ, ebe windo ndị si n'ala ruo n'uko ụlọ na-eweta ìhè anyanwụ n'ime oghere ndị a na-ekekọrịta.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Ọlaọcha
Poetic and Artistic Nhazi Ime Ụlọ Obibi meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Poetic and Artistic Nhazi Ime Ụlọ Obibi ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Poetic and Artistic Nhazi Ime Ụlọ Obibi bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- Entering the entrance to the left, passing through a door imitating a classical garden, is the reception tea room. The natural patterns, the giant rock veneer walls, the slender wooden shutters selected for the large floor-to-ceiling windows, the stone island-connected wooden long table and the complete set of chairs under the light create the essence of Chinese classical poetry and painting.
- Nha & Mkpuchi
- 480m2
- Mkpado
- Byrant Hong, Siang Jie Interior Design, Poetic and Artistic, Residential House, Chinese classical
- Teknụzụ Mmepụta
- The whole second floor is a public space for the entire family. The designer used the depth of the house and opened floor-to-ceiling windows on the prominent surface to allow sunlight to enter the whole area. n addition, the low patio wall inside the restaurant is decorated with grids to align the lines, and tea mirrors are installed on both sides of the grids. The space is visually widened with the refraction effect and the deliberate splicing of the entire floor pavement.
- Ịma Aka Imepụta
- The building is a typical penetrating house that the width is narrow, the depth of the house is deep, and the stairs are located in the centre of the building. The plane is cut into two spaces, the front and the rear, also known as the "Love Ladder", which creates low-intensity, incomplete areas and other issues. However, this case's designer broke the house's traditional design and adjusted the interior space.
- Nchọpụta
- However, due to the new townhouse, the existing pipeline configuration corresponds to the reorganization of the first and second floors, which requires a significant and challenging adjustment. To achieve the best spatial effect, the designer overcomes them one by one, and the first floor is accessed through the gate. The lighting surface of the first and second floors is adjusted from the narrow side to the broad side, and the interior layout is planned accordingly to enhance the indoor lighting and sense of space greatly.
- Mkpali
- Compared with the flat-floor space planning of ordinary apartment-style residences, the house divides the public and private areas vertically, combining the privacy and spatial independence of moving lines. This case is a design of a five-storey house. The first and second floors are public spaces, and the third to fifth floors are the independent bedroom space, study and exercise spaces for a family of five, three generations of the same family.
- Oge Ọrụ
- The project finished in October 2019 in Kaohsiung City, Taiewan.
- Usoro Ọrụ
- Breaking the floor area to separate upstairs and downstairs, the designer extended the large rock veneer wall on the first floor vertically upward to the second floor's ceiling. As a high patio connecting the two floors in series, the first and second-floor spaces are penetrated by the light and sound. The two floors can not only receive visiting guests but also have a more humane and family feeling in life, highlighting the subtle advantages of the house.
- Ndị Otu
- Byrant Hong
Nkwado
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